Escrita Conceptual
INTRODUÇÃO
Segundo Marjorie Perloff, em “Unoriginal Genius: Poetry by Other Means in the New Century”, os trabalhos de Kenneth Goldsmith, Caroline Bergvall, Christian Bök, Craig Douglas Dworkin e Susan Howe, entre outros, ilustram uma resposta contemporânea a uma poética expressiva, de índole confessional e criativa, que tem vindo a apresentar-se sob muitas formas desde o período romântico, propondo no seu lugar uma poética não-expressiva, de reinvenção, citação e tradução, com o recurso ao uso de constrangimentos formais e estratégias de apropriação textual. Perloff afirma que as mudanças recentes trazidas pela tecnologia que revolucionaram os media, como o advento da Internet, tornaram obsoleta a figura do génio romântico isolado, fazendo emergir uma versão atualizada da noção de génio, o génio não-criativo, baseada na capacidade de mover, manipular e disseminar informação. O poeta contemporâneo, movimentando-se num ambiente de hiperinformação, vai assemelhar-se mais a um programador ou a um curador do que a um génio torturado.
PROGRAMA
ARTE CONCEPTUAL E ESCRITA PRÉ-CONCEPTUAL
Marcel Duchamp: "Apropos of 'Readymades'”
Sol Lewitt: “Paragraphs on Conceptual Art”
Sol Lewitt: “Sentences on Conceptual Art”
Lawrence Weiner: "Statements"
Yoko Ono: "Grapefruit – A Book of Instructions and Drawings"
Douglas Huebler: “Secrets: Variable Piece #4”
Ed Friedman: “The Telephone Book”
Ted Berrigan: “An Interview with John Cage”
Barbara Barg: “20 Questions”
Nicholas Moore: “Spleen”
Joseph Kosuth: “Purloined: A Novel”
Walter Benjamin: “The Arcades Project”
ESCRITA CONCEPTUAL
Kenneth Goldsmith: “Why Conceptual Writing? Why Now?”
Kenneth Goldsmith: “Fidget”
Kenneth Goldsmith: “Soliloquy”
Kenneth Goldsmith: “On the Ones: The Weather / Traffic / Sports”
Kenneth Goldsmith: “Day”
Kenneth Goldsmith: “Capital”
Kenneth Goldsmith: “The Hillary Clinton Emails”
Kenneth Goldsmith: “THEORY”
Vanessa Place e Robert Fitterman: “Notes on Conceptualisms”
Robert Fitterman: “Just Another Soft Machine”
Vanessa Place: “Statement of Facts”
Craig Douglas Dworkin: "Legion"
Brain Joseph Davis: “Voice Over”
Steve McCaffery: “Crime Scenes”
Tom Comitta: "The Nature Book"
Caroline Bergvall: VIA (48 Dante Translations)
Peter Manson: “Adjunct: an Undigest”
Pedro Eiras: “[…] – Ensaio Sobre os Mestres”
Pedro Eiras: "This Is the Way the World Ends"
Peter Jaeger: "Rapid Eye Movement"
Tom Jenks: “An Anatomy of Melancholy”
Catherine Vidler: “Lost Sonnets”
Stephen Emmerson: "Invisible Poems"
Stephen Emmerson: "A Box of Ideas"
Stephen Emmerson: "Gallery"
Bruno Neiva: "OPEN YOUR BOOK!"
PROCEDIMENTO
TEXTO CONCEPTUAL
Produza um texto a partir de processos de apropriação textual e deslocação de contexto.
BIBLIOGRAFIA
ARTE CONCEPTUAL E ESCRITA PRÉ-CONCEPTUAL
ABISH, Walter. (1990). Skin Deep. 99: The New Meaning. Providence: Burning Deck.
ABISH, Walter. from “Skin Deep”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 8-12.
ACCONCI, Vito. (2006). Language to Cover a Page: The Early Writings of Vito Acconci. Cambridge: MIT Press.
ACCONCI, Vito. from “Contacts/Contexts (Frame of Reference): Ten Pages of Reading Roget’s Thesaurus”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 13-21.
ACKER, Kathy. (1983). Great Expectations: A Novel. Nova Iorque: Grove Press.
ACKER, Kathy. from “Great Expectations: A Novel”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 28-31.
ALBERRO, Alexandre, STIMSON, Blake (Eds.). Conceptual Art: a Critical Anthology. Cambridge: MIT Press.
ANDREWS, Bruce, BERNSTEIN, Charles (Eds.). (1978-1981). “L=A=N=G=U=A=G=E”. Editions Eclipse.
BANNER, Fiona. from “The Nam”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 60-63.
BARG, Barbara. (1984). 20 Questions. L=A=N=G=U=A=G=E, 9/10, pp. 136 138. 1, 2.
BENJAMIN, Walter. (2002). The Arcades Project. EILAND, Howard, MCLAUGHLIN, Kevin (Trad.). Cambridge: Harvard University Press.
BERNSTEIN, Charles. (1976). Parsing. Nova Iorque: Asylum’s Press. HTML | PDF
BERNSTEIN, Charles. (2011). from “I and The”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 87-93.
BERRIGAN, Ted, KEROUAC, Jack, MCNAUGHTON, Duncan, SAROYAN, Aram. (1968). Jack Kerouac, The Art of Fiction No. 41. Interviewed by Ted Berrigan. The Paris Review, 43.
BERRIGAN, Ted. (2011). An Interview with John Cage. Against Expression, An Anthology of Conceptual Writing. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Evanston: Northwestern University Press, pp. 105-109.
BERRIGAN, Ted, PADGETT, Ron, BRAINARD, Joe. (2012). Bean Spasms. 2ª Ed. Nova Iorque: Granary Books.
CENDRARS, Blaise. (2011). from “Kodak”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 136, 137.
CLOSKY, Claude. (2011). The first thousand numbers classified in alphabetical order. DWORKIN, Craig Douglas (Eds.). The UbuWeb Anthology of Conceptual Writing.
COOLIDGE, Clark. (1980). Smithsonian Depositions and Subject to a Film. Nova Iorque: Vehicle Editions
COOLIDGE, Clark. (2011). from “Cabinet Voltaire”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 161-163.
COOLIDGE, Clark. (2013). Bond Sonnets. Editions Eclipse.
DUCHAMP, Marcel. (1975). Apropos of “Readymades”. The Essential Writings of Marcel Duchamp. Londres: Thames & Hudson, pp. 141-142.
FRIEDMAN, Ed. (1979). The Telephone Book. Nova Iorque: Power Mad Press / Telephone Books.
HUEBLER, Douglas. (1973, 2002). Secrets: Variable Piece #4, New York City. Ubu Editions.
KLAUKE, Michael. (1988). ad infinitum. Charlotte: Nexus Press.
KOSUTH, Joseph. (2000). Purloined: A Novel. Colónia: Salon Verlag.
KOSUTH, Joseph. (2011). from Purloined: A Novel. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 331-338.
LEWITT, Sol. (1969). Four Basic Kinds of Straight Lines. Londres: Studio International.
LEWITT, Sol. (1999). Paragraphs on Conceptual Art. ALBERRO, Alexandre, STIMSON, Blake (Eds.). Conceptual Art: a Critical Anthology. Cambridge: MIT Press, pp. 12-17.
LEWITT, Sol. (1999). Sentences on Conceptual Art. ALBERRO, Alexandre, STIMSON, Blake (Eds.). Conceptual Art: a Critical Anthology. Cambridge: MIT Press, pp. 106-109.
MAYER, Bernadette. (1978). Experiments. L=A=N=G=U=A=G=E, 3, pp. 80-83. 1 | 2 | 3 | 4.
MOORE, Nicholas. (1973, 2004). Spleen. Ubu Editions.
MORRISON, Gavin, STABLES, Fraser (Ed.). (2009). Lifting: Theft in Art. Aberdeen: Peacock Visual Arts, Atopia Projects.
OKO, Yono. (2000). Grapefruit – A Book of Instructions and Drawings. 4ª Ed. Nova Iorque: Simon & Schuster.
PORTER, Bern. (2011). Clothes. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Northwestern University Press, 496-499.
PORTER, Liliana. (1968). Wrinkle. Nova Iorque: New York Graphic Workshop.
RATCLIFFE, Stephen. (2007). CLOUD / RIDGE. Ubu Editions.
RATCLIFFE, Stephen. (2011). C o n t i n u u m. Editions Eclipse.
RATCLIFFE, Stephen. (2011). HUMAN / NATURE. Editions Eclipse.
RATCLIFFE, Stephen. (2011). Remarks on Color / Sound. Editions Eclipse.
RATCLIFFE, Stephen. (2011). sound of wave in channel. Editions Eclipse.
REZNIKOFF, Charles. (2011). from “Testimony, Volume II: The United States (1885–1915): Recitative”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas(Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 510-512.
REZNIKOFF, Charles. (2015). Testimony, The United States (1885–1915): Recitative. 2ª Ed. Boston: Black Sparrow Books.
ROSENFELD, Kim. (2011). The Other Me. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 513-515.
SILLIMAN, Ron. (2011). from “Sunset Debris”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 531-534.
WEINER, Lawrence. (1968). Statements. Nova Iorque: The Louis Kellner Foundation, Seth Siegelaub.
WOLF, Reva. (2009). Mess and Message: Ted Berrigan’s Poetics of Appropriation. Interval(le)s, II.2-III.1.
ESCRITA CONCEPTUAL
ARDAM, Jacqueline, BEAULIEU, Derek, FIRUNTS, Mashinka, QUAID, Andrea, Wertheim, Christine, TARANSKY, Michelle. (2016). What is the relationship between Conceptual art and conceptual writing?. PRICE, Katie L. (Ed.) Quick Question, Jacket 2.
AUSTIN, Nathan. from “Survey Says!”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 52-55.
BEAULIEU, Derek. (2008). How To Write. How To Edit. Ubu Editions.
BEAULIEU, Derek. (2007). Flatland. Iorque: Information as Material.
BEAULIEU, Derek. (2012). Seen of the Crime: Essays on Conceptual Writing. Ubu Editions.
BEAULIEU, Derek. (2013). Please, No More Poetry. Please, No More Poetry. Waterloo: Wilfrid Laurier University Press, pp. 1-2.
BERGVALL, Caroline. (2005). VIA (48 Dante Variations). Fig. Salt Publishing. Cromer, Reino Unido.
BERGVALL, Caroline. (2011). VIA (36 Dante Variations). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 81-86.
BERNSTEIN, Charles. (2000). Republics of Reality: 1975-1995. Los Angeles: Sun & Moon Press.
BERNSTEIN, Charles. (2011). All the Whiskey in Heaven: Selected Poems. Nova Iorque: Farrar, Straus & Giroux Inc.
BERNSTEIN, Charles, MORRIS, Tracie, DWORKIN, Craig Douglas, GOLDSMITH, Kenneth, SWENSEN, Cole, BÖK, Christian. (2008). Sentences on Conceptual Writing. Poetry Foundation.
BERNSTEIN, Charles. (2014). Experiments.
BÖK, Christian, GOLDSMITH, Kenneth. (2014). “Conceptual Poetics”.
BÖK, Christian. (2015). The Xenotext (Book 1). Toronto: Coach House Books.
BUUK, David. (2011). Follow. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 125-128.
CLABURN, Thomas. (2006). i feel better after i type to you. São Francisco: Superbunker.
CLABURN, Thomas. (2011). from “i feel better after i type to you”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 138-141.
COLE, Barbara, EMERSON, Lori (Ed.). (2005). Open Letter: A Canadian Journal of Writing and Theory, 12(7).
COMITTA, Tom. (2023). The Nature Book. Minneapolis: Coffee House Press.
COMITTA, Tom. (2023). Excerpt from The Nature Book. Joyland, 11.
CUNNINGHAM, Mark. (2020). Future Words. Manchester: if p then q.
DAVIS, Brian Joseph. (2005). Portable Altamount. Toronto: Coach House Books.
DAVIS, Brian Joseph. (2007). Voice Over. Ubu Editions.
DWORKIN, Craig Douglas. (2006). Legion (II). Ubu Editions.
DWORKIN, Craig Douglas. (2007). Maps. Ubu Editions.
DWORKIN, Craig Douglas. (2007). Poetry Without Organs. Editions Eclipse.
DWORKIN, Craig Douglas (Ed.). (2011). The UbuWeb Anthology of Conceptual Writing.
DWORKIN, Craig Douglas. (2011). from “Legion”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 190-193.
DWORKIN, Craig Douglas. (2012). A Handbook of Protocols for Literary Listening. Nova Iorque: Arika’s A survey is a process of listening program, Whitney Biennial.
DWORKIN, Craig Douglas. (2013). Legion (excerpt). Brooklyn Rail.
DWORKIN, Craig Douglas. (2013). Poetry Without Organs. PURVES, Robin, LADKIN, Sam (Eds.). Complicities: British Poetry 1945-2007. Praga: Litteraria Pragensia.
DWORKIN, Craig Douglas. (2016). Twelve Erroneous Displacements and a Fact. York: Information as Material.
DWORKIN, Craig Douglas, MORRIS, Simon, THURSTON, Nick. (2014). “Do or DIY”. Nova Iorque: Informations as Material.
DWORKIN, Craig Douglas, SNELSON, Danny (Eds.). Editions Eclipse.
EIRAS, Pedro. (2017) […] – Ensaio Sobre os Mestres. Lisboa: Documenta.
EIRAS, Pedro. (2019). This Is the Way the World Ends. Bristol: Hesterglock Press.
EMMERSON, Stephen. (2015). Family Portraits. Manchester: if p then q.
EMMERSON, Stephen. (2018). Invisible Poems. Manchester: ZimZalla.
EMMERSON, Stephen. (2022). A Box of Ideas. Malmö: Timglaset.
EMMERSON, Stephen. (2023). Gallery. Malmö: Timglaset Editions.
FARRELL, Dan. (2009). Avail. Berkeley: Krupskaya Books.
FARRELL, Dan. (2000). The Inkblot Record. Toronto: Coach House Press.
FARRELL, Dan. (2011). Avail. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 200-205.
FARRELL, Dan. (2011). from “The Inkblot Record”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 205-210.
FITTERMAN, Robert. (2004). This Window Makes Me Feel. Ubu Editions.
FITTERMAN, Robert. (2011). from “The Sun Also Rises”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 222-232.
FITTERMAN, Robert. (2014). Just Another Soft Machine. Surrey: Veer Books.
FITTERMAN, Robert. (2017). Identity Theft, A talk. nypoesi.
GIFFIN, Lawrence. (2011). Spinoza’s Ethics. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press. Evanston, pp. 233-235.
GOLDMAN, Judith. (2011). Re-thinking "Non-retinal Literature": Citation, "Radical Mimesis," and Phenomenologies of Reading in Conceptual Writing. Postmodern Culture, 22(1).
GOLDSMITH, Kenneth. (2000). Fidget. Toronto: Coach House Books.
GOLDSMITH, Kenneth. (2001). Soliloquy. Nova Iorque: Granary Books.
GOLDSMITH, Kenneth. (2003). Day. Great Barrington: The Figures.
GOLDSMITH, Kenneth (2005). The Weather. Los Angeles: Make Now Press.
GOLDSMITH, Kenneth. (2006). Traffic. Editions Eclipse.
GOLDSMITH, Kenneth. (2007). I Love Speech. Poetry Foundation.
GOLDSMITH, Kenneth. (2007). Traffic. Los Angeles: Make Now.
GOLDSMITH, Kenneth. (2008). Sports. Los Angeles: Make Now Press.
GOLDSMITH, Kenneth. (2011). Against Expression: Kenneth Goldsmith in Conversation. Poets.org.
GOLDSMITH, Kenneth. (2011). Rewriting Walter Benjamin’s “The Arcades Project”. Poetry Foundation.
GOLDSMITH, Kenneth. (2011). Uncreative Writing: Managing Language in the Digital Age. Nova Iorque: Columbia University Press.
GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (org). (2011). Why Conceptual Writing? Why Now?. “Against Expression”. Nova Iorque: Granary Books. pp. XVII-XXII.
GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). (2011). Against Expression, An Anthology of Conceptual Writing. Nova Iorque: Granary Books.
GOLDSMITH, Kenneth. (2014). On Uncreative Writing. …ment, 5.
GOLDSMITH, Kenneth. (2014). Why am I Teaching a Course Called Wasting Time on the Internet?. The New Yorker, Page-Turner.
GOLDSMITH, Kenneth. (2015). THEORY. Paris: Jean Boîte Éditions.
GOLDSMITH, Kenneth. (2015). Capital. Nova Iorque: Verso Books.
GOLDSMITH, Kenneth. (2016). Easy is the New Difficult. Postdigital II. Kunstforum International, 243, pp. 68–75.
GOLDSMITH, Kenneth. (2016). Wasting Time on the Internet. Nova Iorque: Harper Perennial.
GOLDSMITH, Kenneth (2018). I Declare a Permanent State of Happiness. Londres: Eris.
GOLDSMITH, Kenneth (2019). The Hillary Clinton Emails. Roma: Nero.
GOMEZ, Carley, SHERMAN, Levi. (2015). Playing House. Columbia: Partial Press.
GOMEZ, Carley, SHERMAN, Levi. (Ed.). (2022). A Physical Book Which Compiles Conceptual Books by Various Artists: Possibly Undermining Their Conceptual Commitment to Dematerialization, but Also Sparking Unforeseen Juxtapositions and Insinuating the Works into New Situations. Columbia: Partial Press.
GORDON, Nada. from “The Abuse of Mercury”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Eds.). (2012). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 147-153.
GORDON, Noah Eli. (2006). Inbox. Buffalo: BlazeVOX.
GORDON, Noah Eli. (2011). Inbox. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 278-281.
HALE, Joe. (2010). Getting Inside Simon Morris’ Head. Iorque: Information as Material.
HERD, Colin. (2010). being jack kerouac. 3:AM MAGAZINE.
HIX, H.L. (2011). Poem composed of statements made by George W. Bush in January 2003. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 299, 300.
JAEGER, Peter. (2009). Rapid Eye Movement. Londres: Reality Street.
JAEGER, Peter. (2011). from “Rapid Eye Movement”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 311-313.
JAEGER, Peter. (2015). A Field Guide to Lost Things. Manchester: if p then q.
JAEGER, Peter. (2018). Midamble. Manchester: if p then q.
JAEGER, Peter. (2021). Postamble For an Invisible Sangha. Manchester: if p then q.
JENKS, Tom. (2016). An Anatomy of Melancholy. Brighton: Sad Press.
JENKS, Tom. (2018). A Long and Hard Night Troubled by Visions. Manchester: if p then q.
KAPLAN, Genevieve. (2009). How we read Caroline Bergvall’s “Via” and Why we should care. Jacket 2, 39.
KOSTELANETZ, Richard. (2014). WHAT WAS ‘CONCEPTUAL WRITING’?. Utsanga, 2.
LEHTO, Leevi. (2011). from “Päivä”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 339, 340.
LIN, Tan. (2011). from “BIB”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 341, 345.
LOMAX, Dana Teen. (2011). from “Disclosure”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 346-351.
LOW, Trisha. (2011). Confessions. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 352-358.
MANSON, Peter. (2009). Adjunct: an Undigest. 2ª Ed. Brighton: Barque Press.
MANSON, Peter. (2011). from “Adjunct: an Undigest”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 390-394.
MCCAFFERY, Steve. (2006). Crime Scenes. Surrey: Veer Books.
MCCAFFERY, Steve. (2007). The Basho Variations. Toronto: Book*hug Press.
MCCAFFERY, Steve. (2008). Every Way Oakly. Toronto: Book*hug Press.
MELTZER, Richard. (2011). Denny Lile. DWORKIN, Craig Douglas (Ed.). The UbuWeb Anthology of Conceptual Writing.
Monoskop. (2019). Conceptual Writing.
MORRIS, Simon. (2009). Getting Inside Jack Kerouac’s Head.
MORRIS, Simon. (2010). Getting Inside Jack Kerouac’s Head”. Iorque: Information as Material.
MORRIS, Simon. (2011). from “Getting Inside Jack Kerouac’s Head”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas. (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 446-448.
NEIVA, Bruno. (2018). Dissertation. Malmö: Timglaset Editions.
NEIVA, Bruno. (2022). OPEN YOUR BOOK!. Manchester: Team Trident Press.
ORANGE, Tom. (2008). American Dialectics. Cincinnati: Slack Buddha Press.
ORANGE, Tom. (2011). I Saw You. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 467-470.
PARRISH, Allison. (2015). Our Arrival: A Novel.
PERLOFF, Marjorie. (2007). Conceptualisms, Old and New. Parkett, 78.
PERLOFF, Marjorie. (2009). Traffic. SPEED Exhibition Catalog, Princeton Architectural Press.
PERLOFF, Marjorie. (2010). Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: University Of Chicago Press.
PLACE, Vanessa, QUEYRAS, Sina. (Eds.) (2009). Drunken Boat, 10, Conceptual Fiction.
PLACE. Vanessa, FITTERMAN, Robert. (2009, 2010). Notes on Conceptualisms. Nova Iorque: Ugly Duckling Press.
PLACE, Vanessa. (2010). Statement of Facts. Los Angeles: Blanc Press.
PLACE, Vanessa. (2011). Gone With The Wind. Rio de Janeiro: Ood Press.
RICHARDS, Deborah. (2003). The Beauty Projection. Nova Iorque: Subpress Collective.
RICHARDS, Deborah. (2011). from “The Beauty Projection”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 513-515.
SCHMITT, Joachim Georg. (2009). Ingredients. Ubu Editions.
SMITH, Rachel. (2020). Read(writ)ing Words. Shrewsbury: Penteract Press.
GOMEZ, Carley, SHERMAN, Levi. (2015). Playing House. Columbia: Partial Press.
SNELSON, Danny, GOLDSMITH, Kenneth. (Eds.) (2003-2010). Ubu Editions & Publishing The Unpublishable.
SNELSON, Danny (Ed.). 2014. 1000 Books by 1000 Poets. Zurique: Poetry will be made by all! 89plus.
STEFANS, Brian Kim. (2011). from “The Vaneigem Series”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 539-543.
STEPHENS, Paul. (2015). The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing. Minneapolis: University of Minnesota Press.
THURSTON, Nicholas. (2007). HISTORIA ABSCONDITA (An Index of Joy). Iorque: Information as Material.
TOMASULA, Steve (Ed.). (2022). Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art. Tuscaloosa: University of Alabama Press.
VICTOR, Dyvia (Ed.). (2016). Conceptual writing (plural and global) and other cultural productions. Jacket 2.
VIDLER, Catherine. (2018). 78 Composite Lost Sonnets. Bristol: Prote(s)xt, Hesterglock Press.
VIDLER, Catherine. (2018). Composite Lost Sonnets. Sod press.
VIDLER, Catherine. (2018). Lost Sonnets. Malmö: Timglaset Editions.
VILÁGOS, U. G. (2019). Collected Experimentalisms: 1989–1992. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2020). Collected Experimentalisms: 1993–1996. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2021). Collected Experimentalisms: 1997–2000. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2022). Collected Experimentalisms: 2001–2004. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2023). Collected Experimentalisms: 2005–2008. Cornwall: Broken Sleep Books.
WERSHLER, Darren. (2008). Kenneth Goldsmith's American Trilogy. Postmodern Culture – Journal of Interdisciplinary Thought on Contemporary Cultures, 19(1).
WILLIAMS, Chrissy. (2014). Epigraphs. Manchester: if p then q.
ZELTIL, Yigru. (Ed.). (2016). A Bibliography of Conceptual Writings.
TEXTOS PRODUZIDOS PELOS FORMANDOS
48 EPÉRGAFES OU GAFES EM EPÍGRAFES | Liliana Teixeira
67 PERVÉRBIOS | Rosário Costa
A LITERATURA SERVE PARA | Daniel Ferreira
BENEFICIUM JURIS NEMINI EST DENEGANDI | Maria Ribeiro
BLACK FRIDAY | Daniel Ferreira
BORE THOSE, FICTION INTERVIEWED BY ALFRED NOBEL | João Cardona
BREVE BIOGRAFIA DE UM ARTISTA PORTUGUÊS | Alexandra Marques
CADEIRA 2 DA 205 | Ana Mota
CO-PINHATA | Leonor Figueiredo
COEXISTEM TEMPOS NO ROMANCE | Betina Ruiz
COMANDOS | Ricardo Lafuente
COMENTADORA DE JORNAL | Ricardo Lafuente
CONSPIRAÇÃO (CO)LATERAL | Joana Alves
DANCIALÉTICA MUITO MAL ACABADA | Alexandra Gonçalves
DETAILS WAREHOUSE BLUES (1) | Ana Cancela
DICIONÁRIO | Pedro Eiras
DICIONÁRIO | Soares Vieira
ENTREVISTA | Maria Stella
A ENTREVISTA A MARILYN MONROE | Márcia Santos
ENTREVISTA COM ANA BACALHAU | Gabriel Innocentini
ENTREVISTA COM CAETANO VELOSO EM MAIO DE 1968 | Gabriel Innocentini
ESCRITA CONCEPTUAL? – ENCONTRAR FREGE: A LINGUAGEM COMO MEIO PARA REVELAR A VERDADE | Marta Oliveira
ESPECIAL COIMBRA | Ana Isabel Carvalho
FAKE 2016 | Inês Aparício
FIM DO MUNDO | Daniel Ferreira
FOUND MAG ARTICLES | Soares Vieira
HIPOPÓTAMO MISANTROPO | Marcos Rodrigues
I USED TO BE AN ARTIST; THEN I BECAME A POET; THEN A WRITER. NOW WHEN ASKED, I SIMPLY REFER TO MYSELF AS A WORD PROCESSOR | Cecília Monção
INTERMITÊNCIAS CRIPTO-EQUITATIVAS | Angela Sequeira
LAVAGEM DOS PÉS | Alexandra Gonçalves
LOOKING THROUGH YOUR SOUL: O QUE ACONTECE DENTRO DO METRO | Catarina Novais
LULAGRAFIA | Gabriel Innocentini
MORNA | Soares Vieira
MUDANÇA | Maria Ribeiro
NASA ISN'T REAL | Gabriela Gomes
NO FEAR | Ágata Costa
O HIPERATIVO – PRIMEIRA SEMANA ARTESANAL DO PROFESSOR | João Cardona
O NASCIMENTO DE UM AUTOR. VIDA(S) E(M) OBRA(S). AUTOFICCIOGRAFIA | João Cardona
ORÁCULO DE ADRIANA | Gonçalo Sério Limpo
OS OLHOS ENTRE A JANELA E A RUA | Chalegre Villas Bôas
OS 2 PRIMEIROS PARÁGRADOS D’OS MAIAS, DE EÇA DE QUEIRÓS, DE ACORDO COM UMA REFORMA ORTOGRÁFICA – PROPOSTA NO CONGRESSO BRASILEIRO | Gabriel Innocentini
PARA TENER POR SIEMPRE TU AMOR | Ana Cancela
PEDRO E O VERBO, POR MATIAS LATO | Pedro Eiras
PENSAMENTO VELOZ | Catarina Novais
PERSEVERANÇA ONOMÁSTICA ATRAVÉS DOS SÉCULOS | Ana Cancela
PLAYLIST PARA UMA CONVERSA IMPROVÁVEL | Alexandra Marques
PROVA DOS 9+1 | João Pinho
REFLEXÕES NAS CASAS DE BANHO DA FLUP | Isabela Oliveira
RISCOS DO DIA-A-DIA | Patrícia Leitão
ROMANCE PLAUSÍVEL | Leonor Figueiredo
SINGULAR SUAVE | Ana Isabel Carvalho
SOB A PELE | Ana Cancela
SYN ÓNIMA | Luz Marina Corazza
UM APOIO DE CERCA DE 700 EUROS POR MÊS | Ana Isabel Carvalho
VERMELHO EM BLOGS | Teresa Freitas
VOCÊ NÃO VAI GOSTAR TANTO DE MIM DEPOIS DISSO | Jéssica Nardy
WOODY AND CHARLIE, CLASH OF EGOS | Soares Vieira
WORLD WITH NO FEAR | Maria Brito
YOU TAKE YOUR APP WHERE YOU GET IT: AN INTERVIEW WITH DAVID HEINEMEIER HANSSON | Ricardo Lafuente
Segundo Marjorie Perloff, em “Unoriginal Genius: Poetry by Other Means in the New Century”, os trabalhos de Kenneth Goldsmith, Caroline Bergvall, Christian Bök, Craig Douglas Dworkin e Susan Howe, entre outros, ilustram uma resposta contemporânea a uma poética expressiva, de índole confessional e criativa, que tem vindo a apresentar-se sob muitas formas desde o período romântico, propondo no seu lugar uma poética não-expressiva, de reinvenção, citação e tradução, com o recurso ao uso de constrangimentos formais e estratégias de apropriação textual. Perloff afirma que as mudanças recentes trazidas pela tecnologia que revolucionaram os media, como o advento da Internet, tornaram obsoleta a figura do génio romântico isolado, fazendo emergir uma versão atualizada da noção de génio, o génio não-criativo, baseada na capacidade de mover, manipular e disseminar informação. O poeta contemporâneo, movimentando-se num ambiente de hiperinformação, vai assemelhar-se mais a um programador ou a um curador do que a um génio torturado.
PROGRAMA
ARTE CONCEPTUAL E ESCRITA PRÉ-CONCEPTUAL
Marcel Duchamp: "Apropos of 'Readymades'”
Sol Lewitt: “Paragraphs on Conceptual Art”
Sol Lewitt: “Sentences on Conceptual Art”
Lawrence Weiner: "Statements"
Yoko Ono: "Grapefruit – A Book of Instructions and Drawings"
Douglas Huebler: “Secrets: Variable Piece #4”
Ed Friedman: “The Telephone Book”
Ted Berrigan: “An Interview with John Cage”
Barbara Barg: “20 Questions”
Nicholas Moore: “Spleen”
Joseph Kosuth: “Purloined: A Novel”
Walter Benjamin: “The Arcades Project”
ESCRITA CONCEPTUAL
Kenneth Goldsmith: “Why Conceptual Writing? Why Now?”
Kenneth Goldsmith: “Fidget”
Kenneth Goldsmith: “Soliloquy”
Kenneth Goldsmith: “On the Ones: The Weather / Traffic / Sports”
Kenneth Goldsmith: “Day”
Kenneth Goldsmith: “Capital”
Kenneth Goldsmith: “The Hillary Clinton Emails”
Kenneth Goldsmith: “THEORY”
Vanessa Place e Robert Fitterman: “Notes on Conceptualisms”
Robert Fitterman: “Just Another Soft Machine”
Vanessa Place: “Statement of Facts”
Craig Douglas Dworkin: "Legion"
Brain Joseph Davis: “Voice Over”
Steve McCaffery: “Crime Scenes”
Tom Comitta: "The Nature Book"
Caroline Bergvall: VIA (48 Dante Translations)
Peter Manson: “Adjunct: an Undigest”
Pedro Eiras: “[…] – Ensaio Sobre os Mestres”
Pedro Eiras: "This Is the Way the World Ends"
Peter Jaeger: "Rapid Eye Movement"
Tom Jenks: “An Anatomy of Melancholy”
Catherine Vidler: “Lost Sonnets”
Stephen Emmerson: "Invisible Poems"
Stephen Emmerson: "A Box of Ideas"
Stephen Emmerson: "Gallery"
Bruno Neiva: "OPEN YOUR BOOK!"
PROCEDIMENTO
TEXTO CONCEPTUAL
Produza um texto a partir de processos de apropriação textual e deslocação de contexto.
BIBLIOGRAFIA
ARTE CONCEPTUAL E ESCRITA PRÉ-CONCEPTUAL
ABISH, Walter. (1990). Skin Deep. 99: The New Meaning. Providence: Burning Deck.
ABISH, Walter. from “Skin Deep”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 8-12.
ACCONCI, Vito. (2006). Language to Cover a Page: The Early Writings of Vito Acconci. Cambridge: MIT Press.
ACCONCI, Vito. from “Contacts/Contexts (Frame of Reference): Ten Pages of Reading Roget’s Thesaurus”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 13-21.
ACKER, Kathy. (1983). Great Expectations: A Novel. Nova Iorque: Grove Press.
ACKER, Kathy. from “Great Expectations: A Novel”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 28-31.
ALBERRO, Alexandre, STIMSON, Blake (Eds.). Conceptual Art: a Critical Anthology. Cambridge: MIT Press.
ANDREWS, Bruce, BERNSTEIN, Charles (Eds.). (1978-1981). “L=A=N=G=U=A=G=E”. Editions Eclipse.
BANNER, Fiona. from “The Nam”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 60-63.
BARG, Barbara. (1984). 20 Questions. L=A=N=G=U=A=G=E, 9/10, pp. 136 138. 1, 2.
BENJAMIN, Walter. (2002). The Arcades Project. EILAND, Howard, MCLAUGHLIN, Kevin (Trad.). Cambridge: Harvard University Press.
BERNSTEIN, Charles. (1976). Parsing. Nova Iorque: Asylum’s Press. HTML | PDF
BERNSTEIN, Charles. (2011). from “I and The”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 87-93.
BERRIGAN, Ted, KEROUAC, Jack, MCNAUGHTON, Duncan, SAROYAN, Aram. (1968). Jack Kerouac, The Art of Fiction No. 41. Interviewed by Ted Berrigan. The Paris Review, 43.
BERRIGAN, Ted. (2011). An Interview with John Cage. Against Expression, An Anthology of Conceptual Writing. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Evanston: Northwestern University Press, pp. 105-109.
BERRIGAN, Ted, PADGETT, Ron, BRAINARD, Joe. (2012). Bean Spasms. 2ª Ed. Nova Iorque: Granary Books.
CENDRARS, Blaise. (2011). from “Kodak”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 136, 137.
CLOSKY, Claude. (2011). The first thousand numbers classified in alphabetical order. DWORKIN, Craig Douglas (Eds.). The UbuWeb Anthology of Conceptual Writing.
COOLIDGE, Clark. (1980). Smithsonian Depositions and Subject to a Film. Nova Iorque: Vehicle Editions
COOLIDGE, Clark. (2011). from “Cabinet Voltaire”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 161-163.
COOLIDGE, Clark. (2013). Bond Sonnets. Editions Eclipse.
DUCHAMP, Marcel. (1975). Apropos of “Readymades”. The Essential Writings of Marcel Duchamp. Londres: Thames & Hudson, pp. 141-142.
FRIEDMAN, Ed. (1979). The Telephone Book. Nova Iorque: Power Mad Press / Telephone Books.
HUEBLER, Douglas. (1973, 2002). Secrets: Variable Piece #4, New York City. Ubu Editions.
KLAUKE, Michael. (1988). ad infinitum. Charlotte: Nexus Press.
KOSUTH, Joseph. (2000). Purloined: A Novel. Colónia: Salon Verlag.
KOSUTH, Joseph. (2011). from Purloined: A Novel. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 331-338.
LEWITT, Sol. (1969). Four Basic Kinds of Straight Lines. Londres: Studio International.
LEWITT, Sol. (1999). Paragraphs on Conceptual Art. ALBERRO, Alexandre, STIMSON, Blake (Eds.). Conceptual Art: a Critical Anthology. Cambridge: MIT Press, pp. 12-17.
LEWITT, Sol. (1999). Sentences on Conceptual Art. ALBERRO, Alexandre, STIMSON, Blake (Eds.). Conceptual Art: a Critical Anthology. Cambridge: MIT Press, pp. 106-109.
MAYER, Bernadette. (1978). Experiments. L=A=N=G=U=A=G=E, 3, pp. 80-83. 1 | 2 | 3 | 4.
MOORE, Nicholas. (1973, 2004). Spleen. Ubu Editions.
MORRISON, Gavin, STABLES, Fraser (Ed.). (2009). Lifting: Theft in Art. Aberdeen: Peacock Visual Arts, Atopia Projects.
OKO, Yono. (2000). Grapefruit – A Book of Instructions and Drawings. 4ª Ed. Nova Iorque: Simon & Schuster.
PORTER, Bern. (2011). Clothes. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Northwestern University Press, 496-499.
PORTER, Liliana. (1968). Wrinkle. Nova Iorque: New York Graphic Workshop.
RATCLIFFE, Stephen. (2007). CLOUD / RIDGE. Ubu Editions.
RATCLIFFE, Stephen. (2011). C o n t i n u u m. Editions Eclipse.
RATCLIFFE, Stephen. (2011). HUMAN / NATURE. Editions Eclipse.
RATCLIFFE, Stephen. (2011). Remarks on Color / Sound. Editions Eclipse.
RATCLIFFE, Stephen. (2011). sound of wave in channel. Editions Eclipse.
REZNIKOFF, Charles. (2011). from “Testimony, Volume II: The United States (1885–1915): Recitative”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas(Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 510-512.
REZNIKOFF, Charles. (2015). Testimony, The United States (1885–1915): Recitative. 2ª Ed. Boston: Black Sparrow Books.
ROSENFELD, Kim. (2011). The Other Me. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 513-515.
SILLIMAN, Ron. (2011). from “Sunset Debris”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 531-534.
WEINER, Lawrence. (1968). Statements. Nova Iorque: The Louis Kellner Foundation, Seth Siegelaub.
WOLF, Reva. (2009). Mess and Message: Ted Berrigan’s Poetics of Appropriation. Interval(le)s, II.2-III.1.
ESCRITA CONCEPTUAL
ARDAM, Jacqueline, BEAULIEU, Derek, FIRUNTS, Mashinka, QUAID, Andrea, Wertheim, Christine, TARANSKY, Michelle. (2016). What is the relationship between Conceptual art and conceptual writing?. PRICE, Katie L. (Ed.) Quick Question, Jacket 2.
AUSTIN, Nathan. from “Survey Says!”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 52-55.
BEAULIEU, Derek. (2008). How To Write. How To Edit. Ubu Editions.
BEAULIEU, Derek. (2007). Flatland. Iorque: Information as Material.
BEAULIEU, Derek. (2012). Seen of the Crime: Essays on Conceptual Writing. Ubu Editions.
BEAULIEU, Derek. (2013). Please, No More Poetry. Please, No More Poetry. Waterloo: Wilfrid Laurier University Press, pp. 1-2.
BERGVALL, Caroline. (2005). VIA (48 Dante Variations). Fig. Salt Publishing. Cromer, Reino Unido.
BERGVALL, Caroline. (2011). VIA (36 Dante Variations). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 81-86.
BERNSTEIN, Charles. (2000). Republics of Reality: 1975-1995. Los Angeles: Sun & Moon Press.
BERNSTEIN, Charles. (2011). All the Whiskey in Heaven: Selected Poems. Nova Iorque: Farrar, Straus & Giroux Inc.
BERNSTEIN, Charles, MORRIS, Tracie, DWORKIN, Craig Douglas, GOLDSMITH, Kenneth, SWENSEN, Cole, BÖK, Christian. (2008). Sentences on Conceptual Writing. Poetry Foundation.
BERNSTEIN, Charles. (2014). Experiments.
BÖK, Christian, GOLDSMITH, Kenneth. (2014). “Conceptual Poetics”.
BÖK, Christian. (2015). The Xenotext (Book 1). Toronto: Coach House Books.
BUUK, David. (2011). Follow. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 125-128.
CLABURN, Thomas. (2006). i feel better after i type to you. São Francisco: Superbunker.
CLABURN, Thomas. (2011). from “i feel better after i type to you”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 138-141.
COLE, Barbara, EMERSON, Lori (Ed.). (2005). Open Letter: A Canadian Journal of Writing and Theory, 12(7).
COMITTA, Tom. (2023). The Nature Book. Minneapolis: Coffee House Press.
COMITTA, Tom. (2023). Excerpt from The Nature Book. Joyland, 11.
CUNNINGHAM, Mark. (2020). Future Words. Manchester: if p then q.
DAVIS, Brian Joseph. (2005). Portable Altamount. Toronto: Coach House Books.
DAVIS, Brian Joseph. (2007). Voice Over. Ubu Editions.
DWORKIN, Craig Douglas. (2006). Legion (II). Ubu Editions.
DWORKIN, Craig Douglas. (2007). Maps. Ubu Editions.
DWORKIN, Craig Douglas. (2007). Poetry Without Organs. Editions Eclipse.
DWORKIN, Craig Douglas (Ed.). (2011). The UbuWeb Anthology of Conceptual Writing.
DWORKIN, Craig Douglas. (2011). from “Legion”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 190-193.
DWORKIN, Craig Douglas. (2012). A Handbook of Protocols for Literary Listening. Nova Iorque: Arika’s A survey is a process of listening program, Whitney Biennial.
DWORKIN, Craig Douglas. (2013). Legion (excerpt). Brooklyn Rail.
DWORKIN, Craig Douglas. (2013). Poetry Without Organs. PURVES, Robin, LADKIN, Sam (Eds.). Complicities: British Poetry 1945-2007. Praga: Litteraria Pragensia.
DWORKIN, Craig Douglas. (2016). Twelve Erroneous Displacements and a Fact. York: Information as Material.
DWORKIN, Craig Douglas, MORRIS, Simon, THURSTON, Nick. (2014). “Do or DIY”. Nova Iorque: Informations as Material.
DWORKIN, Craig Douglas, SNELSON, Danny (Eds.). Editions Eclipse.
EIRAS, Pedro. (2017) […] – Ensaio Sobre os Mestres. Lisboa: Documenta.
EIRAS, Pedro. (2019). This Is the Way the World Ends. Bristol: Hesterglock Press.
EMMERSON, Stephen. (2015). Family Portraits. Manchester: if p then q.
EMMERSON, Stephen. (2018). Invisible Poems. Manchester: ZimZalla.
EMMERSON, Stephen. (2022). A Box of Ideas. Malmö: Timglaset.
EMMERSON, Stephen. (2023). Gallery. Malmö: Timglaset Editions.
FARRELL, Dan. (2009). Avail. Berkeley: Krupskaya Books.
FARRELL, Dan. (2000). The Inkblot Record. Toronto: Coach House Press.
FARRELL, Dan. (2011). Avail. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 200-205.
FARRELL, Dan. (2011). from “The Inkblot Record”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 205-210.
FITTERMAN, Robert. (2004). This Window Makes Me Feel. Ubu Editions.
FITTERMAN, Robert. (2011). from “The Sun Also Rises”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 222-232.
FITTERMAN, Robert. (2014). Just Another Soft Machine. Surrey: Veer Books.
FITTERMAN, Robert. (2017). Identity Theft, A talk. nypoesi.
GIFFIN, Lawrence. (2011). Spinoza’s Ethics. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press. Evanston, pp. 233-235.
GOLDMAN, Judith. (2011). Re-thinking "Non-retinal Literature": Citation, "Radical Mimesis," and Phenomenologies of Reading in Conceptual Writing. Postmodern Culture, 22(1).
GOLDSMITH, Kenneth. (2000). Fidget. Toronto: Coach House Books.
GOLDSMITH, Kenneth. (2001). Soliloquy. Nova Iorque: Granary Books.
GOLDSMITH, Kenneth. (2003). Day. Great Barrington: The Figures.
GOLDSMITH, Kenneth (2005). The Weather. Los Angeles: Make Now Press.
GOLDSMITH, Kenneth. (2006). Traffic. Editions Eclipse.
GOLDSMITH, Kenneth. (2007). I Love Speech. Poetry Foundation.
GOLDSMITH, Kenneth. (2007). Traffic. Los Angeles: Make Now.
GOLDSMITH, Kenneth. (2008). Sports. Los Angeles: Make Now Press.
GOLDSMITH, Kenneth. (2011). Against Expression: Kenneth Goldsmith in Conversation. Poets.org.
GOLDSMITH, Kenneth. (2011). Rewriting Walter Benjamin’s “The Arcades Project”. Poetry Foundation.
GOLDSMITH, Kenneth. (2011). Uncreative Writing: Managing Language in the Digital Age. Nova Iorque: Columbia University Press.
GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (org). (2011). Why Conceptual Writing? Why Now?. “Against Expression”. Nova Iorque: Granary Books. pp. XVII-XXII.
GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). (2011). Against Expression, An Anthology of Conceptual Writing. Nova Iorque: Granary Books.
GOLDSMITH, Kenneth. (2014). On Uncreative Writing. …ment, 5.
GOLDSMITH, Kenneth. (2014). Why am I Teaching a Course Called Wasting Time on the Internet?. The New Yorker, Page-Turner.
GOLDSMITH, Kenneth. (2015). THEORY. Paris: Jean Boîte Éditions.
GOLDSMITH, Kenneth. (2015). Capital. Nova Iorque: Verso Books.
GOLDSMITH, Kenneth. (2016). Easy is the New Difficult. Postdigital II. Kunstforum International, 243, pp. 68–75.
GOLDSMITH, Kenneth. (2016). Wasting Time on the Internet. Nova Iorque: Harper Perennial.
GOLDSMITH, Kenneth (2018). I Declare a Permanent State of Happiness. Londres: Eris.
GOLDSMITH, Kenneth (2019). The Hillary Clinton Emails. Roma: Nero.
GOMEZ, Carley, SHERMAN, Levi. (2015). Playing House. Columbia: Partial Press.
GOMEZ, Carley, SHERMAN, Levi. (Ed.). (2022). A Physical Book Which Compiles Conceptual Books by Various Artists: Possibly Undermining Their Conceptual Commitment to Dematerialization, but Also Sparking Unforeseen Juxtapositions and Insinuating the Works into New Situations. Columbia: Partial Press.
GORDON, Nada. from “The Abuse of Mercury”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Eds.). (2012). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 147-153.
GORDON, Noah Eli. (2006). Inbox. Buffalo: BlazeVOX.
GORDON, Noah Eli. (2011). Inbox. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 278-281.
HALE, Joe. (2010). Getting Inside Simon Morris’ Head. Iorque: Information as Material.
HERD, Colin. (2010). being jack kerouac. 3:AM MAGAZINE.
HIX, H.L. (2011). Poem composed of statements made by George W. Bush in January 2003. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 299, 300.
JAEGER, Peter. (2009). Rapid Eye Movement. Londres: Reality Street.
JAEGER, Peter. (2011). from “Rapid Eye Movement”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 311-313.
JAEGER, Peter. (2015). A Field Guide to Lost Things. Manchester: if p then q.
JAEGER, Peter. (2018). Midamble. Manchester: if p then q.
JAEGER, Peter. (2021). Postamble For an Invisible Sangha. Manchester: if p then q.
JENKS, Tom. (2016). An Anatomy of Melancholy. Brighton: Sad Press.
JENKS, Tom. (2018). A Long and Hard Night Troubled by Visions. Manchester: if p then q.
KAPLAN, Genevieve. (2009). How we read Caroline Bergvall’s “Via” and Why we should care. Jacket 2, 39.
KOSTELANETZ, Richard. (2014). WHAT WAS ‘CONCEPTUAL WRITING’?. Utsanga, 2.
LEHTO, Leevi. (2011). from “Päivä”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 339, 340.
LIN, Tan. (2011). from “BIB”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 341, 345.
LOMAX, Dana Teen. (2011). from “Disclosure”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 346-351.
LOW, Trisha. (2011). Confessions. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 352-358.
MANSON, Peter. (2009). Adjunct: an Undigest. 2ª Ed. Brighton: Barque Press.
MANSON, Peter. (2011). from “Adjunct: an Undigest”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 390-394.
MCCAFFERY, Steve. (2006). Crime Scenes. Surrey: Veer Books.
MCCAFFERY, Steve. (2007). The Basho Variations. Toronto: Book*hug Press.
MCCAFFERY, Steve. (2008). Every Way Oakly. Toronto: Book*hug Press.
MELTZER, Richard. (2011). Denny Lile. DWORKIN, Craig Douglas (Ed.). The UbuWeb Anthology of Conceptual Writing.
Monoskop. (2019). Conceptual Writing.
MORRIS, Simon. (2009). Getting Inside Jack Kerouac’s Head.
MORRIS, Simon. (2010). Getting Inside Jack Kerouac’s Head”. Iorque: Information as Material.
MORRIS, Simon. (2011). from “Getting Inside Jack Kerouac’s Head”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas. (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 446-448.
NEIVA, Bruno. (2018). Dissertation. Malmö: Timglaset Editions.
NEIVA, Bruno. (2022). OPEN YOUR BOOK!. Manchester: Team Trident Press.
ORANGE, Tom. (2008). American Dialectics. Cincinnati: Slack Buddha Press.
ORANGE, Tom. (2011). I Saw You. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 467-470.
PARRISH, Allison. (2015). Our Arrival: A Novel.
PERLOFF, Marjorie. (2007). Conceptualisms, Old and New. Parkett, 78.
PERLOFF, Marjorie. (2009). Traffic. SPEED Exhibition Catalog, Princeton Architectural Press.
PERLOFF, Marjorie. (2010). Unoriginal Genius: Poetry by Other Means in the New Century. Chicago: University Of Chicago Press.
PLACE, Vanessa, QUEYRAS, Sina. (Eds.) (2009). Drunken Boat, 10, Conceptual Fiction.
PLACE. Vanessa, FITTERMAN, Robert. (2009, 2010). Notes on Conceptualisms. Nova Iorque: Ugly Duckling Press.
PLACE, Vanessa. (2010). Statement of Facts. Los Angeles: Blanc Press.
PLACE, Vanessa. (2011). Gone With The Wind. Rio de Janeiro: Ood Press.
RICHARDS, Deborah. (2003). The Beauty Projection. Nova Iorque: Subpress Collective.
RICHARDS, Deborah. (2011). from “The Beauty Projection”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 513-515.
SCHMITT, Joachim Georg. (2009). Ingredients. Ubu Editions.
SMITH, Rachel. (2020). Read(writ)ing Words. Shrewsbury: Penteract Press.
GOMEZ, Carley, SHERMAN, Levi. (2015). Playing House. Columbia: Partial Press.
SNELSON, Danny, GOLDSMITH, Kenneth. (Eds.) (2003-2010). Ubu Editions & Publishing The Unpublishable.
SNELSON, Danny (Ed.). 2014. 1000 Books by 1000 Poets. Zurique: Poetry will be made by all! 89plus.
STEFANS, Brian Kim. (2011). from “The Vaneigem Series”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 539-543.
STEPHENS, Paul. (2015). The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing. Minneapolis: University of Minnesota Press.
THURSTON, Nicholas. (2007). HISTORIA ABSCONDITA (An Index of Joy). Iorque: Information as Material.
TOMASULA, Steve (Ed.). (2022). Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art. Tuscaloosa: University of Alabama Press.
VICTOR, Dyvia (Ed.). (2016). Conceptual writing (plural and global) and other cultural productions. Jacket 2.
VIDLER, Catherine. (2018). 78 Composite Lost Sonnets. Bristol: Prote(s)xt, Hesterglock Press.
VIDLER, Catherine. (2018). Composite Lost Sonnets. Sod press.
VIDLER, Catherine. (2018). Lost Sonnets. Malmö: Timglaset Editions.
VILÁGOS, U. G. (2019). Collected Experimentalisms: 1989–1992. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2020). Collected Experimentalisms: 1993–1996. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2021). Collected Experimentalisms: 1997–2000. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2022). Collected Experimentalisms: 2001–2004. Cornwall: Broken Sleep Books.
VILÁGOS, U. G. (2023). Collected Experimentalisms: 2005–2008. Cornwall: Broken Sleep Books.
WERSHLER, Darren. (2008). Kenneth Goldsmith's American Trilogy. Postmodern Culture – Journal of Interdisciplinary Thought on Contemporary Cultures, 19(1).
WILLIAMS, Chrissy. (2014). Epigraphs. Manchester: if p then q.
ZELTIL, Yigru. (Ed.). (2016). A Bibliography of Conceptual Writings.
TEXTOS PRODUZIDOS PELOS FORMANDOS
48 EPÉRGAFES OU GAFES EM EPÍGRAFES | Liliana Teixeira
67 PERVÉRBIOS | Rosário Costa
A LITERATURA SERVE PARA | Daniel Ferreira
BENEFICIUM JURIS NEMINI EST DENEGANDI | Maria Ribeiro
BLACK FRIDAY | Daniel Ferreira
BORE THOSE, FICTION INTERVIEWED BY ALFRED NOBEL | João Cardona
BREVE BIOGRAFIA DE UM ARTISTA PORTUGUÊS | Alexandra Marques
CADEIRA 2 DA 205 | Ana Mota
CO-PINHATA | Leonor Figueiredo
COEXISTEM TEMPOS NO ROMANCE | Betina Ruiz
COMANDOS | Ricardo Lafuente
COMENTADORA DE JORNAL | Ricardo Lafuente
CONSPIRAÇÃO (CO)LATERAL | Joana Alves
DANCIALÉTICA MUITO MAL ACABADA | Alexandra Gonçalves
DETAILS WAREHOUSE BLUES (1) | Ana Cancela
DICIONÁRIO | Pedro Eiras
DICIONÁRIO | Soares Vieira
ENTREVISTA | Maria Stella
A ENTREVISTA A MARILYN MONROE | Márcia Santos
ENTREVISTA COM ANA BACALHAU | Gabriel Innocentini
ENTREVISTA COM CAETANO VELOSO EM MAIO DE 1968 | Gabriel Innocentini
ESCRITA CONCEPTUAL? – ENCONTRAR FREGE: A LINGUAGEM COMO MEIO PARA REVELAR A VERDADE | Marta Oliveira
ESPECIAL COIMBRA | Ana Isabel Carvalho
FAKE 2016 | Inês Aparício
FIM DO MUNDO | Daniel Ferreira
FOUND MAG ARTICLES | Soares Vieira
HIPOPÓTAMO MISANTROPO | Marcos Rodrigues
I USED TO BE AN ARTIST; THEN I BECAME A POET; THEN A WRITER. NOW WHEN ASKED, I SIMPLY REFER TO MYSELF AS A WORD PROCESSOR | Cecília Monção
INTERMITÊNCIAS CRIPTO-EQUITATIVAS | Angela Sequeira
LAVAGEM DOS PÉS | Alexandra Gonçalves
LOOKING THROUGH YOUR SOUL: O QUE ACONTECE DENTRO DO METRO | Catarina Novais
LULAGRAFIA | Gabriel Innocentini
MORNA | Soares Vieira
MUDANÇA | Maria Ribeiro
NASA ISN'T REAL | Gabriela Gomes
NO FEAR | Ágata Costa
O HIPERATIVO – PRIMEIRA SEMANA ARTESANAL DO PROFESSOR | João Cardona
O NASCIMENTO DE UM AUTOR. VIDA(S) E(M) OBRA(S). AUTOFICCIOGRAFIA | João Cardona
ORÁCULO DE ADRIANA | Gonçalo Sério Limpo
OS OLHOS ENTRE A JANELA E A RUA | Chalegre Villas Bôas
OS 2 PRIMEIROS PARÁGRADOS D’OS MAIAS, DE EÇA DE QUEIRÓS, DE ACORDO COM UMA REFORMA ORTOGRÁFICA – PROPOSTA NO CONGRESSO BRASILEIRO | Gabriel Innocentini
PARA TENER POR SIEMPRE TU AMOR | Ana Cancela
PEDRO E O VERBO, POR MATIAS LATO | Pedro Eiras
PENSAMENTO VELOZ | Catarina Novais
PERSEVERANÇA ONOMÁSTICA ATRAVÉS DOS SÉCULOS | Ana Cancela
PLAYLIST PARA UMA CONVERSA IMPROVÁVEL | Alexandra Marques
PROVA DOS 9+1 | João Pinho
REFLEXÕES NAS CASAS DE BANHO DA FLUP | Isabela Oliveira
RISCOS DO DIA-A-DIA | Patrícia Leitão
ROMANCE PLAUSÍVEL | Leonor Figueiredo
SINGULAR SUAVE | Ana Isabel Carvalho
SOB A PELE | Ana Cancela
SYN ÓNIMA | Luz Marina Corazza
UM APOIO DE CERCA DE 700 EUROS POR MÊS | Ana Isabel Carvalho
VERMELHO EM BLOGS | Teresa Freitas
VOCÊ NÃO VAI GOSTAR TANTO DE MIM DEPOIS DISSO | Jéssica Nardy
WOODY AND CHARLIE, CLASH OF EGOS | Soares Vieira
WORLD WITH NO FEAR | Maria Brito
YOU TAKE YOUR APP WHERE YOU GET IT: AN INTERVIEW WITH DAVID HEINEMEIER HANSSON | Ricardo Lafuente