Escrita Conceptual
INTRODUÇÃO
Segundo Marjorie Perloff, em Unoriginal Genius: Poetry by Other Means in the New Century, os trabalhos de Kenneth Goldsmith, Caroline Bergvall, Christian Bök, Craig Douglas Dworkin e Susan Howe, entre outros, ilustram uma resposta contemporânea a uma poética expressiva, de índole confessional e criativa, que tem vindo a apresentar-se sob muitas formas desde o período romântico, propondo, no seu lugar, uma poética não-expressiva, de reinvenção, citação e tradução, com o recurso ao uso de constrangimentos formais e estratégias de apropriação textual. Perloff afirma que as mudanças recentes trazidas pela tecnologia que revolucionaram os media, como o advento da Internet, tornaram obsoleta a figura do génio romântico isolado, fazendo emergir uma versão atualizada da noção de génio, o génio não-criativo, baseada na capacidade de mover, manipular e disseminar informação. O poeta contemporâneo, movimentando-se num ambiente de hiperinformação, vai assemelhar-se mais a um programador ou a um curador do que a um génio torturado.
PROGRAMA
ARTE CONCEPTUAL E ANTECEDENTES DA ESCRITA CONCEPTUAL
Marcel Duchamp: Apropos of “Readymades”
Sol Lewitt: Paragraphs on Conceptual Art
Sol Lewitt: Sentences on Conceptual Art
Lawrence Weiner: Statements
Yoko Ono: Grapefruit – A Book of Instructions and Drawings
Douglas Huebler: Secrets: Variable Piece #4
Ed Friedman: The Telephone Book
Ted Berrigan: An Interview with John Cage
Barbara Barg: 20 Questions
Ron Silliman: The New Sentence
Ron Silliman: Albany
Marcel Broodthaers: The Manuscript Found in a Bottle
Joseph Kosuth: Purloined: A Novel
Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris e Lawrence Weiner: The Xerox Book
Liliana Porter: Wrinkle
Walter Benjamin: The Arcades Project
ESCRITA CONCEPTUAL E ESCRITA PÓS-CONCEPTUAL
Kenneth Goldsmith: Why Conceptual Writing? Why Now?
Kenneth Goldsmith: Fidget
Kenneth Goldsmith: Soliloquy
Kenneth Goldsmith: On the Ones: The Weather / Traffic / Sports
Kenneth Goldsmith: Day
Kenneth Goldsmith: Capital
Kenneth Goldsmith: The Hillary Clinton Emails
Kenneth Goldsmith: THEORY
Vanessa Place e Robert Fitterman: Notes on Conceptualisms
Robert Fitterman: Just Another Soft Machine
Vanessa Place: Statement of Facts
Craig Douglas Dworkin: Legion
Brain Joseph Davis: Voice Over
Steve McCaffery: Crime Scenes
Caroline Bergvall: VIA (48 Dante Translations)
Peter Manson: Adjunct: an Undigest
Pedro Eiras: […] – Ensaio Sobre os Mestres
Pedro Eiras: This Is the Way the World Ends
Peter Jaeger: Rapid Eye Movement
Tom Jenks: An Anatomy of Melancholy
Catherine Vidler: Lost Sonnets
Stephen Emmerson: Invisible Poems
Stephen Emmerson: A Box of Ideas
Stephen Emmerson: Gallery
Hartmut Abendschein: TetrisYoga™
Maria Brito e Bruno Neiva: Ballroom Etiquette
Bruno Neiva: OPEN YOUR BOOK!
PROCEDIMENTOS
TEXTO CONCEPTUAL PURO OU READYMADE LITERÁRIO
Produza um texto a partir de processos de apropriação textual e deslocação de contexto, em que o material apropriado não tenha de ser submetido a qualquer tipo de edição.
TEXTO CONCEPTUAL HÍBRIDO
Produza um texto a partir de processos de apropriação textual e deslocação de contexto, em que o material apropriado tenha de ser submetido a edição.
TEXTO CONCEPTUAL SEM APROPRIAÇÃO
Produza um texto sem empregar processos de apropriação textual e deslocação de contexto, mas partindo de um conceito.
BIBLIOGRAFIA
ARTE CONCEPTUAL E ANTECEDENTES DA ESCRITA CONCEPTUAL
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ABISH, Walter. from “Skin Deep”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 8-12.
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ALLEN, Austin. (2022). “My Beautiful Never-Nevers”: Yoko Ono’s Poetry Revisited. Los Angeles Review of Books.
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PERLOFF, Marjorie. (2010). Language Poetry and the Lyric Subject: Ron Silliman’s Albany, Susan Howe’s Buffalo. Sibila.
PORTER, Bern. (2011). Clothes. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Northwestern University Press, 496-499.
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POUND, Ezra. The Cantos. 15ª Ed. Nova Iorque: New Directions.
RATCLIFFE, Stephen. (2007). CLOUD / RIDGE. Ubu Editions.
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RATCLIFFE, Stephen. (2011). sound of wave in channel. Editions Eclipse.
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ROSENFIELD, Kim. (2011). The Other Me. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 513-515.
SAROYAN, Aram. (2016). Complete Minimal Poems. 2ª Ed. Nova Iorque: Primary Information.
SILLIMAN, Ron. (1987). The New Sentence. 11ª Ed. Nova Iorque: Roof Books.
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SILLIMAN, Ron. (2008). The Alphabet. Tuscaloosa: The University of Alabama Press.
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SILLIMAN, Ron. (2011). from “Sunset Debris”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 531-534.
STEIN, Gertrude. (1914). Tender Buttons. Nova Iorque: Claire Marie.
WEINER, Lawrence. (1968). Statements. Nova Iorque: The Louis Kellner Foundation, Seth Siegelaub.
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ESCRITA CONCEPTUAL E ESCRITA PÓS-CONCEPTUAL
ABENDSCHEIN, Hartmut. (2024). TetrisYoga™. Malmö: Timglaset Editions.
ANDERSSON, Andrea (Ed.). (2018). Postscript: Writing After Conceptual Art. Toronto: University of Toronto Press.
ARDAM, Jacqueline, BEAULIEU, Derek, FIRUNTS, Mashinka, QUAID, Andrea, Wertheim, Christine, TARANSKY, Michelle. (2016). What is the relationship between Conceptual art and conceptual writing?. PRICE, Katie L. (Ed.) Quick Question, Jacket 2.
AUSTIN, Nathan. from “Survey Says!”. (2011). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 52-55.
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BERGVALL, Caroline. (2005). VIA (48 Dante Variations). Fig. Salt Publishing. Cromer, Reino Unido.
BERGVALL, Caroline. (2011). VIA (36 Dante Variations). GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression – An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 81-86.
BERNSTEIN, Charles, MORRIS, Tracie, DWORKIN, Craig Douglas, GOLDSMITH, Kenneth, SWENSEN, Cole, BÖK, Christian. (2008). Sentences on Conceptual Writing. Poetry Foundation.
BRITO, Maria, NEIVA, Bruno. (2020). Ballroom Etiquette. Manchester: Team Trident Press.
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BUUK, David. (2011). Follow. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 125-128.
CLABURN, Thomas. (2006). i feel better after i type to you. São Francisco: Superbunker.
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CUNNINGHAM, Mark. (2020). Future Words. Manchester: if p then q.
DAVIS, Brian Joseph. (2005). Portable Altamount. Toronto: Coach House Books.
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EMMERSON, Stephen. (2023). Gallery. Malmö: Timglaset Editions.
FARRELL, Dan. (2009). Avail. Berkeley: Krupskaya Books.
FARRELL, Dan. (2000). The Inkblot Record. Toronto: Coach House Press.
FARRELL, Dan. (2011). Avail. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 200-205.
FARRELL, Dan. (2011). from “The Inkblot Record”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 205-210.
FITTERMAN, Robert. (2004). This Window Makes Me Feel. Ubu Editions.
FITTERMAN, Robert. (2011). from “The Sun Also Rises”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 222-232.
FITTERMAN, Robert. (2014). Just Another Soft Machine. Surrey: Veer Books.
FITTERMAN, Robert. (2014). No, Wait. Yep. Definitely Still Hate Myself. Nova Iorque: Ugly Duckling Press.
FITTERMAN, Robert. (2017). Identity Theft, A talk. nypoesi.
FITTERMAN, Robert. (2019). Rob’s Word Shop. Nova Iorque: Ugly Duckling Press.
GIFFIN, Lawrence. (2011). Spinoza’s Ethics. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press. Evanston, pp. 233-235.
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GOLDSMITH, Kenneth. (2000). Fidget. Toronto: Coach House Books.
GOLDSMITH, Kenneth. (2001). Soliloquy. Nova Iorque: Granary Books.
GOLDSMITH, Kenneth. (2003). Day. Great Barrington: The Figures.
GOLDSMITH, Kenneth (2005). The Weather. Los Angeles: Make Now Press.
GOLDSMITH, Kenneth. (2006). Traffic. Editions Eclipse.
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GOLDSMITH, Kenneth. (2007). Paragraphs On Conceptual Writing. Harriet, Poetry
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GOLDSMITH, Kenneth. (2008). Sports. Los Angeles: Make Now Press.
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GOLDSMITH, Kenneth. (2015). THEORY. Paris: Jean Boîte Éditions.
GOLDSMITH, Kenneth. (2015). Capital. Nova Iorque: Verso Books.
GOLDSMITH, Kenneth. (2016). Easy is the New Difficult. Postdigital II. Kunstforum International, 243, pp. 68–75.
GOLDSMITH, Kenneth. (2016). Wasting Time on the Internet. Nova Iorque: Harper Perennial.
GOLDSMITH, Kenneth (2018). I Declare a Permanent State of Happiness. Londres: Eris.
GOLDSMITH, Kenneth (2019). The Hillary Clinton Emails. Roma: Nero.
GOMEZ, Carley, SHERMAN, Levi. (2015). Playing House. Columbia: Partial Press.
GOMEZ, Carley, SHERMAN, Levi. (Ed.). (2022). A Physical Book Which Compiles Conceptual Books by Various Artists: Possibly Undermining Their Conceptual Commitment to Dematerialization, but Also Sparking Unforeseen Juxtapositions and Insinuating the Works into New Situations. Columbia: Partial Press.
GORDON, Nada. from “The Abuse of Mercury”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Eds.). (2012). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 147-153.
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GORDON, Noah Eli. (2011). Inbox. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 278-281.
HALE, Joe. (2010). Getting Inside Simon Morris’ Head. Iorque: Information as Material.
HAWKINS, Paul, NEIVA, Bruno. (2018). Servant Drone. Newton-le-Willows: Knives Forks and Spoons Press.
HERD, Colin. (2010). being jack kerouac. 3:AM MAGAZINE.
HIX, H.L. (2011). Poem composed of statements made by George W. Bush in January 2003. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 299, 300.
HOBOGRAMMATHON, Toadex. (2004). Name, a novel. Ubu Editions.
JAEGER, Peter. (2009). Rapid Eye Movement. Londres: Reality Street.
JAEGER, Peter. (2011). from “Rapid Eye Movement”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 311-313.
JAEGER, Peter. (2015). A Field Guide to Lost Things. Manchester: if p then q.
JAEGER, Peter. (2018). Midamble. Manchester: if p then q.
JAEGER, Peter. (2021). Postamble For an Invisible Sangha. Manchester: if p then q.
JENKS, Tom. (2016). An Anatomy of Melancholy. Brighton: Sad Press.
JENKS, Tom. (2018). A Long and Hard Night Troubled by Visions. Manchester: if p then q.
KAPLAN, Genevieve. (2009). How we read Caroline Bergvall’s “Via” and Why we should care. Jacket 2, 39.
KOSTELANETZ, Richard. (2014). WHAT WAS ‘CONCEPTUAL WRITING’?. Utsanga, 2.
LEHTO, Leevi. (2011). from “Päivä”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 339, 340.
LIN, Tan. (2011). from “BIB”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 341, 345.
LOMAX, Dana Teen. (2011). from “Disclosure”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 346-351.
LOW, Trisha. (2011). Confessions. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 352-358.
MANSON, Peter. (2009). Adjunct: an Undigest. 2ª Ed. Brighton: Barque Press.
MANSON, Peter. (2009). Adjunct: an Undigest. 3ª Ed. Ubu Editions.
MANSON, Peter. (2011). from “Adjunct: an Undigest”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 390-394.
MCCAFFERY, Steve. (2006). Crime Scenes. Surrey: Veer Books.
MCCAFFERY, Steve. (2007). The Basho Variations. Toronto: Book*hug Press.
MCCAFFERY, Steve. (2008). Every Way Oakly. Toronto: Book*hug Press.
MELTZER, Richard. (2011). Denny Lile. DWORKIN, Craig Douglas (Ed.). The UbuWeb Anthology of Conceptual Writing.
Monoskop. (2019). Conceptual Writing.
MORRIS, Simon. (2009). Getting Inside Jack Kerouac’s Head.
MORRIS, Simon. (2010). Getting Inside Jack Kerouac’s Head”. Iorque: Information as Material.
MORRIS, Simon. (2011). from “Getting Inside Jack Kerouac’s Head”. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas. (Eds.). Against Expression: An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 446-448.
NEIVA, Bruno. (2018). Onstage. Dublin: Gorse, 10.
NEIVA, Bruno. (2018). Dissertation. Malmö: Timglaset Editions.
NEIVA, Bruno, TURNBULL, Chris. (2019). Undertones. Winston-Salem: Low Frequency Press.
NEIVA, Bruno. (2021). Letters to a Young Poet (an homage to the late E. M. de Melo e Castro after Rainer Maria Rilke). Selected Text-Art 2010-2020. Bristol: Hesterglock Press.
NEIVA, Bruno. (2021). Página 28 de la Gramática General Española. Selected Text-Art 2010-2020. Bristol: Hesterglock Press.
NEIVA, Bruno. (2021). Scammed. Selected Text-Art 2010-2020. Bristol: Hesterglock Press.
NEIVA, Bruno. (2022). OPEN YOUR BOOK!. Manchester: Team Trident Press.
ORANGE, Tom. (2008). American Dialectics. Cincinnati: Slack Buddha Press.
ORANGE, Tom. (2011). I Saw You. GOLDSMITH, Kenneth, DWORKIN, Craig Douglas (Eds.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 467-470.
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TRABALHOS PRODUZIDOS PELOS(AS) FORMANDOS(AS)
. DE VIRAGEM | Mariana Milheiro
A LITERATURA SERVE PARA | Daniel Ferreira
A ESSÊNCIA DO CIDADÃO | Rita Alves
BPD IS NOT REAL | Bia Cerqueira
BENEFICIUM JURIS NEMINI EST DENEGANDI | Maria Ribeiro
BLACK FRIDAY | Daniel Ferreira
BONECO DE NEVE | Rita Alves
BORE THOSE, FICTION INTERVIEWED BY ALFRED NOBEL | João Cardona
BREVE BIOGRAFIA DE UM ARTISTA PORTUGUÊS | Alexandra Marques
CADEIRA 2 DA 205 | Ana Mota
CO-PINHATA | Leonor Figueiredo
COEXISTEM TEMPOS NO ROMANCE | Betina Ruiz
COMANDOS | Ricardo Lafuente
COMENTADORA DE JORNAL | Ricardo Lafuente
CONCERTO SINFÓNICO SEM APROPRIAÇÃO | João Leitão
CONSPIRAÇÃO (CO)LATERAL | Joana Alves
DANCIALÉTICA MUITO MAL ACABADA | Alexandra Gonçalves
DETAILS WAREHOUSE BLUES (1) | Ana Cancela
DICIONÁRIO | Pedro Eiras
DICIONÁRIO | Soares Vieira
ENTRE OLHARES E PENSAMENTOS | António Carvalho
ENTREVISTA | Maria Stella
ENTREVISTA A MARILYN MONROE | Márcia Santos
ENTREVISTA COM ANA BACALHAU | Gabriel Innocentini
ENTREVISTA COM CAETANO VELOSO EM MAIO DE 1968 | Gabriel Innocentini
ESCRITA CONCEPTUAL? – ENCONTRAR FREGE: A LINGUAGEM COMO MEIO PARA REVELAR A VERDADE | Marta Oliveira
ESPECIAL COIMBRA | Ana Isabel Carvalho
FAKE 2016 | Inês Aparício
FIM DO MUNDO | Daniel Ferreira
FOUND MAG ARTICLES | Soares Vieira
HIPOPÓTAMO MISANTROPO | Marcos Rodrigues
I USED TO BE AN ARTIST; THEN I BECAME A POET; THEN A WRITER. NOW WHEN ASKED, I SIMPLY REFER TO MYSELF AS A WORD PROCESSOR | Cecília Monção
INTERMITÊNCIAS CRIPTO-EQUITATIVAS | Ângela Sequeira
IS THIS AN EMERGENCY? | Maria Brito
LAVAGEM DOS PÉS | Alexandra Gonçalves
LOOKING THROUGH YOUR SOUL: O QUE ACONTECE DENTRO DO METRO | Catarina Novais
LULAGRAFIA | Gabriel Innocentini
MORNA | Soares Vieira
MUDANÇA | Maria Ribeiro
NASA ISN'T REAL | Gabriela do Amaral
NO FEAR | Ágata Costa
O HIPERATIVO – PRIMEIRA SEMANA ARTESANAL DO PROFESSOR | João Cardona
O NASCIMENTO DE UM AUTOR. VIDA(S) E(M) OBRA(S). AUTOFICCIOGRAFIA | João Cardona
ORÁCULO DE ADRIANA | Gonçalo Sério Limpo
OS OLHOS ENTRE A JANELA E A RUA | Chalegre Villas Bôas
OS 2 PRIMEIROS PARÁGRADOS D’OS MAIAS, DE EÇA DE QUEIRÓS, DE ACORDO COM UMA REFORMA ORTOGRÁFICA – PROPOSTA NO CONGRESSO BRASILEIRO | Gabriel Innocentini
PARA TENER POR SIEMPRE TU AMOR | Ana Cancela
PEDRO E O VERBO, POR MATIAS LATO | Pedro Eiras
PENSAMENTO VELOZ | Catarina Novais
PERSEVERANÇA ONOMÁSTICA ATRAVÉS DOS SÉCULOS | Ana Cancela
PLAYLIST PARA UMA CONVERSA IMPROVÁVEL | Alexandra Marques
PROVA DOS 9+1 | João Pinho
RIO – ESPELHO | Fátima Ferreira
ROMANCE PLAUSÍVEL | Leonor Figueiredo
SOB A PELE | DETAILS WAREHOUSE BLUES (1) | Ana Cancela
SINGULAR SUAVE | Ana Isabel Carvalho
SYN ÓNIMA | Luz Marina Corazza
UM APOIO DE CERCA DE 700 EUROS POR MÊS | Ana Isabel Carvalho
VERMELHO EM BLOGS | Teresa Freitas
VOCÊ NÃO VAI GOSTAR TANTO DE MIM DEPOIS DISSO | Jéssica Nardy
WOODY AND CHARLIE, CLASH OF EGOS | Soares Vieira
WORLD WITH NO FEAR | Maria Brito
YOU TAKE YOUR APP WHERE YOU GET IT: AN INTERVIEW WITH DAVID HEINEMEIER HANSSON | Ricardo Lafuente
Segundo Marjorie Perloff, em Unoriginal Genius: Poetry by Other Means in the New Century, os trabalhos de Kenneth Goldsmith, Caroline Bergvall, Christian Bök, Craig Douglas Dworkin e Susan Howe, entre outros, ilustram uma resposta contemporânea a uma poética expressiva, de índole confessional e criativa, que tem vindo a apresentar-se sob muitas formas desde o período romântico, propondo, no seu lugar, uma poética não-expressiva, de reinvenção, citação e tradução, com o recurso ao uso de constrangimentos formais e estratégias de apropriação textual. Perloff afirma que as mudanças recentes trazidas pela tecnologia que revolucionaram os media, como o advento da Internet, tornaram obsoleta a figura do génio romântico isolado, fazendo emergir uma versão atualizada da noção de génio, o génio não-criativo, baseada na capacidade de mover, manipular e disseminar informação. O poeta contemporâneo, movimentando-se num ambiente de hiperinformação, vai assemelhar-se mais a um programador ou a um curador do que a um génio torturado.
PROGRAMA
ARTE CONCEPTUAL E ANTECEDENTES DA ESCRITA CONCEPTUAL
Marcel Duchamp: Apropos of “Readymades”
Sol Lewitt: Paragraphs on Conceptual Art
Sol Lewitt: Sentences on Conceptual Art
Lawrence Weiner: Statements
Yoko Ono: Grapefruit – A Book of Instructions and Drawings
Douglas Huebler: Secrets: Variable Piece #4
Ed Friedman: The Telephone Book
Ted Berrigan: An Interview with John Cage
Barbara Barg: 20 Questions
Ron Silliman: The New Sentence
Ron Silliman: Albany
Marcel Broodthaers: The Manuscript Found in a Bottle
Joseph Kosuth: Purloined: A Novel
Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris e Lawrence Weiner: The Xerox Book
Liliana Porter: Wrinkle
Walter Benjamin: The Arcades Project
ESCRITA CONCEPTUAL E ESCRITA PÓS-CONCEPTUAL
Kenneth Goldsmith: Why Conceptual Writing? Why Now?
Kenneth Goldsmith: Fidget
Kenneth Goldsmith: Soliloquy
Kenneth Goldsmith: On the Ones: The Weather / Traffic / Sports
Kenneth Goldsmith: Day
Kenneth Goldsmith: Capital
Kenneth Goldsmith: The Hillary Clinton Emails
Kenneth Goldsmith: THEORY
Vanessa Place e Robert Fitterman: Notes on Conceptualisms
Robert Fitterman: Just Another Soft Machine
Vanessa Place: Statement of Facts
Craig Douglas Dworkin: Legion
Brain Joseph Davis: Voice Over
Steve McCaffery: Crime Scenes
Caroline Bergvall: VIA (48 Dante Translations)
Peter Manson: Adjunct: an Undigest
Pedro Eiras: […] – Ensaio Sobre os Mestres
Pedro Eiras: This Is the Way the World Ends
Peter Jaeger: Rapid Eye Movement
Tom Jenks: An Anatomy of Melancholy
Catherine Vidler: Lost Sonnets
Stephen Emmerson: Invisible Poems
Stephen Emmerson: A Box of Ideas
Stephen Emmerson: Gallery
Hartmut Abendschein: TetrisYoga™
Maria Brito e Bruno Neiva: Ballroom Etiquette
Bruno Neiva: OPEN YOUR BOOK!
PROCEDIMENTOS
TEXTO CONCEPTUAL PURO OU READYMADE LITERÁRIO
Produza um texto a partir de processos de apropriação textual e deslocação de contexto, em que o material apropriado não tenha de ser submetido a qualquer tipo de edição.
TEXTO CONCEPTUAL HÍBRIDO
Produza um texto a partir de processos de apropriação textual e deslocação de contexto, em que o material apropriado tenha de ser submetido a edição.
TEXTO CONCEPTUAL SEM APROPRIAÇÃO
Produza um texto sem empregar processos de apropriação textual e deslocação de contexto, mas partindo de um conceito.
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GOLDSMITH, Kenneth. (2016). Wasting Time on the Internet. Nova Iorque: Harper Perennial.
GOLDSMITH, Kenneth (2018). I Declare a Permanent State of Happiness. Londres: Eris.
GOLDSMITH, Kenneth (2019). The Hillary Clinton Emails. Roma: Nero.
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HOBOGRAMMATHON, Toadex. (2004). Name, a novel. Ubu Editions.
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JAEGER, Peter. (2018). Midamble. Manchester: if p then q.
JAEGER, Peter. (2021). Postamble For an Invisible Sangha. Manchester: if p then q.
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TRABALHOS PRODUZIDOS PELOS(AS) FORMANDOS(AS)
. DE VIRAGEM | Mariana Milheiro
A LITERATURA SERVE PARA | Daniel Ferreira
A ESSÊNCIA DO CIDADÃO | Rita Alves
BPD IS NOT REAL | Bia Cerqueira
BENEFICIUM JURIS NEMINI EST DENEGANDI | Maria Ribeiro
BLACK FRIDAY | Daniel Ferreira
BONECO DE NEVE | Rita Alves
BORE THOSE, FICTION INTERVIEWED BY ALFRED NOBEL | João Cardona
BREVE BIOGRAFIA DE UM ARTISTA PORTUGUÊS | Alexandra Marques
CADEIRA 2 DA 205 | Ana Mota
CO-PINHATA | Leonor Figueiredo
COEXISTEM TEMPOS NO ROMANCE | Betina Ruiz
COMANDOS | Ricardo Lafuente
COMENTADORA DE JORNAL | Ricardo Lafuente
CONCERTO SINFÓNICO SEM APROPRIAÇÃO | João Leitão
CONSPIRAÇÃO (CO)LATERAL | Joana Alves
DANCIALÉTICA MUITO MAL ACABADA | Alexandra Gonçalves
DETAILS WAREHOUSE BLUES (1) | Ana Cancela
DICIONÁRIO | Pedro Eiras
DICIONÁRIO | Soares Vieira
ENTRE OLHARES E PENSAMENTOS | António Carvalho
ENTREVISTA | Maria Stella
ENTREVISTA A MARILYN MONROE | Márcia Santos
ENTREVISTA COM ANA BACALHAU | Gabriel Innocentini
ENTREVISTA COM CAETANO VELOSO EM MAIO DE 1968 | Gabriel Innocentini
ESCRITA CONCEPTUAL? – ENCONTRAR FREGE: A LINGUAGEM COMO MEIO PARA REVELAR A VERDADE | Marta Oliveira
ESPECIAL COIMBRA | Ana Isabel Carvalho
FAKE 2016 | Inês Aparício
FIM DO MUNDO | Daniel Ferreira
FOUND MAG ARTICLES | Soares Vieira
HIPOPÓTAMO MISANTROPO | Marcos Rodrigues
I USED TO BE AN ARTIST; THEN I BECAME A POET; THEN A WRITER. NOW WHEN ASKED, I SIMPLY REFER TO MYSELF AS A WORD PROCESSOR | Cecília Monção
INTERMITÊNCIAS CRIPTO-EQUITATIVAS | Ângela Sequeira
IS THIS AN EMERGENCY? | Maria Brito
LAVAGEM DOS PÉS | Alexandra Gonçalves
LOOKING THROUGH YOUR SOUL: O QUE ACONTECE DENTRO DO METRO | Catarina Novais
LULAGRAFIA | Gabriel Innocentini
MORNA | Soares Vieira
MUDANÇA | Maria Ribeiro
NASA ISN'T REAL | Gabriela do Amaral
NO FEAR | Ágata Costa
O HIPERATIVO – PRIMEIRA SEMANA ARTESANAL DO PROFESSOR | João Cardona
O NASCIMENTO DE UM AUTOR. VIDA(S) E(M) OBRA(S). AUTOFICCIOGRAFIA | João Cardona
ORÁCULO DE ADRIANA | Gonçalo Sério Limpo
OS OLHOS ENTRE A JANELA E A RUA | Chalegre Villas Bôas
OS 2 PRIMEIROS PARÁGRADOS D’OS MAIAS, DE EÇA DE QUEIRÓS, DE ACORDO COM UMA REFORMA ORTOGRÁFICA – PROPOSTA NO CONGRESSO BRASILEIRO | Gabriel Innocentini
PARA TENER POR SIEMPRE TU AMOR | Ana Cancela
PEDRO E O VERBO, POR MATIAS LATO | Pedro Eiras
PENSAMENTO VELOZ | Catarina Novais
PERSEVERANÇA ONOMÁSTICA ATRAVÉS DOS SÉCULOS | Ana Cancela
PLAYLIST PARA UMA CONVERSA IMPROVÁVEL | Alexandra Marques
PROVA DOS 9+1 | João Pinho
RIO – ESPELHO | Fátima Ferreira
ROMANCE PLAUSÍVEL | Leonor Figueiredo
SOB A PELE | DETAILS WAREHOUSE BLUES (1) | Ana Cancela
SINGULAR SUAVE | Ana Isabel Carvalho
SYN ÓNIMA | Luz Marina Corazza
UM APOIO DE CERCA DE 700 EUROS POR MÊS | Ana Isabel Carvalho
VERMELHO EM BLOGS | Teresa Freitas
VOCÊ NÃO VAI GOSTAR TANTO DE MIM DEPOIS DISSO | Jéssica Nardy
WOODY AND CHARLIE, CLASH OF EGOS | Soares Vieira
WORLD WITH NO FEAR | Maria Brito
YOU TAKE YOUR APP WHERE YOU GET IT: AN INTERVIEW WITH DAVID HEINEMEIER HANSSON | Ricardo Lafuente
