Rasura
INTRODUÇÃO
A rasura é uma forma de apropriação textual que consiste na eliminação ou sinalização sistemática de elementos específicos de um texto, de forma a produzir um novo texto. Nos processos de rasura, recorre-se frequentemente à aplicação de constrangimentos formais, assim como ao uso de elementos gráficos e pictóricos. É uma forma com a qual se pode estabelecer uma relação de continuidade entre dois textos, mas também de disrupção.
PROGRAMA
Robert Rauschenberg: “Erased de Kooning Drawing”
Marcel Broodthaers: “Un coup de dés jamais n'abolira le hasard”
Derek Beaulieu: “Tattered Sails (after Mallarmé and Broodthaers)”
Derek Beaulieu: “Local Colour”
Ana Hatherly: “Anagramático. Livro IV – Metaleitura”
Tom Phillips: “A Humument: A Treated Victorian Novel”
Derek Beaulieu: “@erasingwarhol” | “a: A novel”
Gary Barwin: “Servants of Dust”
Elizabeth S. Clark: “Between Words”
Holly Melgard: “The Making of the Americans”
Peter Manson: “English in Mallarmé”
Jen Bervin: "Nets"
Tom Jenks: “On Liberty, Repressed”
Paul Hawkins: “Go Sift Omen"
Jenni B. Baker: “Erasing Infinite”
Bruno Neiva: "On Photography"
Jenny Holtzer: "Redaction Paintings"
M. NourbeSe Philip: "Zong!"
PROCEDIMENTO
RASURA
Selecione um ou vários textos e, de acordo um padrão pré-estabelecido ou um conceito, elimine letras ou palavras, até obter o resultado pretendido. Poderá cruzar vários procedimentos formais e recorrer a estratétegias de natureza gráfica ou pictórica.
BIBLIOGRAFIA
BADANI, Pat, BENZON, Paul, SWEENEY, Sarah. (Ed.). Journal of the New Media Caucus, The Aesthetics of Erasure, 11 (1).
BAIK, Christiana. (Ed.). (2013). The Volta, Evening Will Come: A Monthly Journal of Poetics, 29, Erasure Issue.
BAKER, Jenni B. (2015). California, Dollar Bills, Naked, Boun’. Flag + Void, 5.
BAKER, Jenni B. (2015). Erasures from Katherine Taylor Craig's ‘The Fabric of Dreams: Dream Lore and Dream Interpretation, Ancient and Modern’ (1918). Souvenir.
BAKER, Jenni B. (2015). Experiments. New Orleans Review.
BAKER, Jenni B. (2015). Privilege, Machine, face each other. Storm Cellar, 4.2.
BAKER, Jenni B. (2015). Three Erasures (from ‘NASA Air-to-Ground Voice Transcriptions’). Lunch Ticket.
BAKER, Jenni B. (2015). You-Boy, Kind, Tiny Town. The Account.
BAKER, Jenni B. (2014–2016). Erasing Infinite.
BAKER, Jenni B. (2016). Five Erasures from ‘Mastering Pac-Man’. Cartridge Lit.
BAKER, Jenni B., MCDARIS, Catfish, MOORE, James W., SO, Gerald (Ed.). (2013). NOIR: Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
BARWIN, Gary. (2015). Servants of Dust. Gauss PDF.
BORSUK, Amaranth, JUUL, Jesper, MONTFORT, Nick. (2013). The Deletionist.
BEAULIEU, Derek. (2011). Local Colour. Editions Eclipse.
BEAULIEU, Derek. (2013). Compose the Holes. The Volta, Evening Will Come: A Monthly Journal of Poetics, Erasure Issue, 29.
BEAULIEU, Derek. (2016). @erasingwarhol.
BEAULIEU, Derek. (2017). a: A novel. Paris: Jean Boîte Éditions.
BEAULIEU, Derek. (2018). Tattered Sails (after Mallarmé and Broodthaers). Ottawa: above/ground press.
BEAULIEU, Derek. (2023). SILENCE: LECTURES AND WRITINGS. Malmö: Timglaset Editions.
BERVIN, Jen. (2004). Nets. Nova Iorque: Ugly Duckling Press.
BERVIN, Jen. (2004). from “Nets”. Conjunctions – Web Conjuntions.
BRADFORD, Luke. (2020). Scaling the Mountain of Winter. Shrewsbury: Eneract Press.
BRENNAN, Mike. (2017). The Eloquence of Absence: Omission, Extraction and Invisibility in Contemporary Art. Modernedition.
BROODTHAERS, Marcel. (1969). Un coup de dés jamais n'abolira le hasard. Wide White Space Gallery, Antuérpia, Galerie Michael Werner, Colónia.
CLARK, Elizabeth S. (2007). Between Words. Ubu Editions.
CLARK, Elizabeth S. (2011). from “Between Words”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 142–147.
Diagram. (2016). 16.5: Erasures.
Diagram. (2020). 20.1: Ashbery Erasures.
DILLON, Brian (2006). The Revelation of Erasure. Tate Etc., 8.
EMMERSON, Stephen. (2023). Duino. Malmö: Timglaset Editions.
FERREIRA, Margarida Lemos. (2017). Entre a ausência e a presença: o papel da rasura na transformação de significado. Tese de Mestrado, Arte Multimédia – Especialização em Audiovisuais. Universidade de Lisboa, Faculdade de Belas Artes.
FOER, Jonathan Safran. (2010). Tree of Codes. Londres: Visual Editions.
GALPIN, Richard. (1998). Erasure in Art: Destruction, Deconstruction, and Palimpsest.
GOLDSMITH, Kenneth. (2000). Gertrude Stein on Punctuation. Abaton Books.
GRANLUND, Chris. (1997). Robert Rauschenberg: Man at Work.
HATHERLY, Ana. (2002). Anagramático. Livro IV – Metaleitura. Um calculador de improbabilidades. Coimbra: Quimera.
HAWKINS, Paul. (2019). Go Sift Omen. Newton-le-Willows: Knives Forks and Spoons Press.
HICKMAN, Mary. (2014). Defaced/refaced books – The erasure practices of Jen Bervin and Mary Ruefle. Jacket 2.
HOLMES, Janet. (2008). The ms of m y kin. Exeter: Shearman Books.
HOLTZER, Jenny. (2007). Redaction Paintings. Nova Iorque: Cheim & Read.
JENKS, Tom. On Liberty, Repressed. (2014). Newton-le-Willows: Knives Forks and Spoons Press.
JENKS, Tom. On Liberty. (2016). Repressed: dragging and dropping John Stuart Mill. Glasfryn Project, Junction Box, 8.
JOHNSON, Ronald. (2005). “RADI OS”. 2ª Ed. Chicago: Flood Editions.
KOSUTH, Joseph. (2012). Zero & Not. Freud, Wittgenstein and Musil. Nova Iorque: Leo Castelli, pp. 2–7.
MACCABE, Chris. (2012). A Little White Opening Out Of Thought. Poetry Review, 102(3).
MACDONALD, Travis. (2008). The O Mission Repo. Filadélfia: Fact Simile Books.
MACDONALD, Travis. (2009). A Brief History of Erasure Poetics. Jacket 2, 38.
MACDONALD, Travis, HOLMES, Janet, HARVEY, Matthea. (2011). “Free Verse: Erasure Poetry Festival”.
MALLARMÉ, Stéphane. (1914). Un coup de dés jamais n'abolira le hasard. Paris: La Nouvelle Revue Française.
MALLOCK, W.H. (1892). A Human Document. Londres: London Chapman & Hall. vol. 1 | vol. 2 | vol. 3
MANSON, Peter. (2006). English in Mallarmé. Ubu Editions.
MANSON, Peter. (2011). from “English in Mallarmé”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 395–396.
MELGARD, Holly. (2012). The Making of Americans. Troll Thread.
MORRISON, Yeda. (2012). Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902). Los Angeles: Make Now Press.
MORRISON, Yeda. (2012). from “Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902)”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Ed.). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 168–178.
NEIVA, Bruno. (2019). On Photography.
NYMAN, John. (2018). Double/Cross: Erasure in Theory and Poetry. Electronic Thesis and Dissertation Repository.
PHILIP, M. NourbeSe. (2008). Zong!. Toronto: The Mercury Press.
PHILLIPS, Emilia. (2016). Sap: An Erasure of Calvino’s Invisible Cities.
PHILLIPS, Tom. (2012). A Humument: A Treated Victorian Novel, 5ª Ed. Londres: Thames & Hudson.
PHILLIPS, Tom. (2015). Pages From A Humument. Flowers Gallery, Nova Iorque.
RATCLIFFE, Stephen. (1988). [where late the sweet] BIRDS SANG. Nova Iorque: O Books.
RAUSCHENBERG, Robert. (1953). Erased de Kooning Drawing. São Francisco, Colecção do SFMOMA.
RAY, Man. (1924, 2014). Untitled Poem. Gorse.
ROBERTS, Sarah. (2013). Erased de Kooning Drawing. SFMOMA, Rauschenberg Research Project.
ROSS, David A., HOPPS, Walter, GARRELS, Gary, SAMIS, Peter, (1999). Robert Rauschenberg, video interview transcript. SFMOMA.
RUBINSTEIN, Heather, RUBINSTEIN, Raphael (Org.). (2018, 2019). Under Erasure. Pierogi Gallery, Nova Iorque.
RUEFLE, Mary. (2006). A Little White Shadow. Seattle: Wave Books.
SMYTH, Adam. (2012). Double Act. London Review of Books, 34(19).
SMYTH, Adam, PARTINGTON, Gill. (2012). Tom Phillips: An Interview. London Review of Books.
TARANKSY, Michelle. (2011). UNIT J: ALTERED BOOKS / ERASURE, ENGL 010 Writing From The Outside, University of Pennsylvania, Filadélfia.
VARLEY-WINTER, Rebecca. (2015). The Bark of the Language Forest: Peter Manson’s ‘English in Mallarmé’. Glasgow Review of Books.
VILLINES, Melanie (Ed.). (2014). Bukowski Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
Wave Books. Erasures.
TEXTOS PRODUZIDOS PELOS FORMANDOS
A ARTE DE PERDER PARTES DE SI | Chalegre Villas Bôas
A CARTA | Márcia Santos
À LAIA DE ELEGIA | Rosário Costa
ABSURDO 111 | Marta Moreira
AMOR É FOGO QUE ARDE SEM SE VER | Fábio Oliveira
AULA | Pedro Eiras
BOCA. DE ONDE SAÍRAM O VERBO | Angela Sequeira
CASSANDRA | Gonçalo Sério Limpo
CAMINHO | Marcos Rodrigues
CAPITAL | Lídia Pereira
CENSURA VEGANA. UMA SEMANA DE JEUJUM. | Ludovica Daddi
COELHO BRANCO | Luz Marina Corazza
DALÍ: A RASURA DO PINTOR MODERNO | Vanessa Sousa
ENTRE TODAS AS PRESENÇAS, EU ESPEREI | Lídia Pereira
ERASURE | Gabriel Graça
ERASURE A PARTIR DE "HOMENS SÃO COMO LUGARES MAL SITUADOS", DE DANIEL FARIA | Cecília Monção
ECO | Teresa Freitas
ERASURE DE MIA COUTO | Maria Stella
DON'T KIL LOCKDEP | Ana Isabel Carvalho
HARNESSING THE POWER OF THE POETIC | Alexandra Marques
HERBERTO SINISTRADO (págs. 16, 17, 30, 31, 32, 33) | Gabriel Innocentini
INÉDITO: "UM INSTANTE" | Alexandra Marques
JE TE VEUX | Holga Méndez
LUZ / PONTE SUSPENSA | Inês Aparício
MAGNA CARTA | Egas Marçal
MAPPING HOROSCOPE | Gabriela Gomes
MEU NOME É GIORGIO | Maria Luiza S. Lemes
O MEDO VAI TER TUDO | Inês Aparício
O SONHAR, O ACORDAR | Mário C. Brum
PÁRA-ME DE | João Pinho
PEDRO E INÊS | Ana Silva
POEMA ANA | Ana Mota
PRIVACIDADE | Miguel Alves
QUEM SE METE EM ATALHOS, LIVRA-SE DE TRABALHOS + SELECIONA-ME | Alexandra Gonçalves
RASURA | Joana Alves
RASURA DO POEMA "SÚMULA DE HERBERTO HELDER | Liliana Teixeira
RAYUELA | Lídia Pereira
RECADO | Lídia Pereira
ROLAND BARTHES, O PRAZER DO TEXTO | Leonor Figueiredo
SAI POLICIES | Maria Brito
SUMÁRIOS | Ricardo Lafuente
THE HERMAN, BARTLEBY OF TALES (págs. 1, 2) | Ana Cancela
THE KILLING JOKE | Ricardo M. Vieira
THE RELIGIOUS EXPERIENCE | Soares Vieira
THE SMARTEST... | Jéssica Nardy
TRATAMENTO SEMI SÓBRIO | Teresa Botelho
TRECHO DE MEMÓRIAS PÓSTUMAS DE BRÁS CUBAS, DE MACHADO DE ASSIS | Isabela Oliveira
UMA FLOR PARA MEE | Betina Ruiz
UN LHOBO | Rita Moreira
VENENOS DO SÉC. XXI | Joana Lisboa
VIAGENS NA MINHA TERRA POR UMA ESTRADA COM BURACOS | João Cardona
WHAT DOES SILENCE MEAN? | Ágata Costa
WHEN LOVE DIES ALONE | Catarina Novais
A rasura é uma forma de apropriação textual que consiste na eliminação ou sinalização sistemática de elementos específicos de um texto, de forma a produzir um novo texto. Nos processos de rasura, recorre-se frequentemente à aplicação de constrangimentos formais, assim como ao uso de elementos gráficos e pictóricos. É uma forma com a qual se pode estabelecer uma relação de continuidade entre dois textos, mas também de disrupção.
PROGRAMA
Robert Rauschenberg: “Erased de Kooning Drawing”
Marcel Broodthaers: “Un coup de dés jamais n'abolira le hasard”
Derek Beaulieu: “Tattered Sails (after Mallarmé and Broodthaers)”
Derek Beaulieu: “Local Colour”
Ana Hatherly: “Anagramático. Livro IV – Metaleitura”
Tom Phillips: “A Humument: A Treated Victorian Novel”
Derek Beaulieu: “@erasingwarhol” | “a: A novel”
Gary Barwin: “Servants of Dust”
Elizabeth S. Clark: “Between Words”
Holly Melgard: “The Making of the Americans”
Peter Manson: “English in Mallarmé”
Jen Bervin: "Nets"
Tom Jenks: “On Liberty, Repressed”
Paul Hawkins: “Go Sift Omen"
Jenni B. Baker: “Erasing Infinite”
Bruno Neiva: "On Photography"
Jenny Holtzer: "Redaction Paintings"
M. NourbeSe Philip: "Zong!"
PROCEDIMENTO
RASURA
Selecione um ou vários textos e, de acordo um padrão pré-estabelecido ou um conceito, elimine letras ou palavras, até obter o resultado pretendido. Poderá cruzar vários procedimentos formais e recorrer a estratétegias de natureza gráfica ou pictórica.
BIBLIOGRAFIA
BADANI, Pat, BENZON, Paul, SWEENEY, Sarah. (Ed.). Journal of the New Media Caucus, The Aesthetics of Erasure, 11 (1).
BAIK, Christiana. (Ed.). (2013). The Volta, Evening Will Come: A Monthly Journal of Poetics, 29, Erasure Issue.
BAKER, Jenni B. (2015). California, Dollar Bills, Naked, Boun’. Flag + Void, 5.
BAKER, Jenni B. (2015). Erasures from Katherine Taylor Craig's ‘The Fabric of Dreams: Dream Lore and Dream Interpretation, Ancient and Modern’ (1918). Souvenir.
BAKER, Jenni B. (2015). Experiments. New Orleans Review.
BAKER, Jenni B. (2015). Privilege, Machine, face each other. Storm Cellar, 4.2.
BAKER, Jenni B. (2015). Three Erasures (from ‘NASA Air-to-Ground Voice Transcriptions’). Lunch Ticket.
BAKER, Jenni B. (2015). You-Boy, Kind, Tiny Town. The Account.
BAKER, Jenni B. (2014–2016). Erasing Infinite.
BAKER, Jenni B. (2016). Five Erasures from ‘Mastering Pac-Man’. Cartridge Lit.
BAKER, Jenni B., MCDARIS, Catfish, MOORE, James W., SO, Gerald (Ed.). (2013). NOIR: Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
BARWIN, Gary. (2015). Servants of Dust. Gauss PDF.
BORSUK, Amaranth, JUUL, Jesper, MONTFORT, Nick. (2013). The Deletionist.
BEAULIEU, Derek. (2011). Local Colour. Editions Eclipse.
BEAULIEU, Derek. (2013). Compose the Holes. The Volta, Evening Will Come: A Monthly Journal of Poetics, Erasure Issue, 29.
BEAULIEU, Derek. (2016). @erasingwarhol.
BEAULIEU, Derek. (2017). a: A novel. Paris: Jean Boîte Éditions.
BEAULIEU, Derek. (2018). Tattered Sails (after Mallarmé and Broodthaers). Ottawa: above/ground press.
BEAULIEU, Derek. (2023). SILENCE: LECTURES AND WRITINGS. Malmö: Timglaset Editions.
BERVIN, Jen. (2004). Nets. Nova Iorque: Ugly Duckling Press.
BERVIN, Jen. (2004). from “Nets”. Conjunctions – Web Conjuntions.
BRADFORD, Luke. (2020). Scaling the Mountain of Winter. Shrewsbury: Eneract Press.
BRENNAN, Mike. (2017). The Eloquence of Absence: Omission, Extraction and Invisibility in Contemporary Art. Modernedition.
BROODTHAERS, Marcel. (1969). Un coup de dés jamais n'abolira le hasard. Wide White Space Gallery, Antuérpia, Galerie Michael Werner, Colónia.
CLARK, Elizabeth S. (2007). Between Words. Ubu Editions.
CLARK, Elizabeth S. (2011). from “Between Words”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 142–147.
Diagram. (2016). 16.5: Erasures.
Diagram. (2020). 20.1: Ashbery Erasures.
DILLON, Brian (2006). The Revelation of Erasure. Tate Etc., 8.
EMMERSON, Stephen. (2023). Duino. Malmö: Timglaset Editions.
FERREIRA, Margarida Lemos. (2017). Entre a ausência e a presença: o papel da rasura na transformação de significado. Tese de Mestrado, Arte Multimédia – Especialização em Audiovisuais. Universidade de Lisboa, Faculdade de Belas Artes.
FOER, Jonathan Safran. (2010). Tree of Codes. Londres: Visual Editions.
GALPIN, Richard. (1998). Erasure in Art: Destruction, Deconstruction, and Palimpsest.
GOLDSMITH, Kenneth. (2000). Gertrude Stein on Punctuation. Abaton Books.
GRANLUND, Chris. (1997). Robert Rauschenberg: Man at Work.
HATHERLY, Ana. (2002). Anagramático. Livro IV – Metaleitura. Um calculador de improbabilidades. Coimbra: Quimera.
HAWKINS, Paul. (2019). Go Sift Omen. Newton-le-Willows: Knives Forks and Spoons Press.
HICKMAN, Mary. (2014). Defaced/refaced books – The erasure practices of Jen Bervin and Mary Ruefle. Jacket 2.
HOLMES, Janet. (2008). The ms of m y kin. Exeter: Shearman Books.
HOLTZER, Jenny. (2007). Redaction Paintings. Nova Iorque: Cheim & Read.
JENKS, Tom. On Liberty, Repressed. (2014). Newton-le-Willows: Knives Forks and Spoons Press.
JENKS, Tom. On Liberty. (2016). Repressed: dragging and dropping John Stuart Mill. Glasfryn Project, Junction Box, 8.
JOHNSON, Ronald. (2005). “RADI OS”. 2ª Ed. Chicago: Flood Editions.
KOSUTH, Joseph. (2012). Zero & Not. Freud, Wittgenstein and Musil. Nova Iorque: Leo Castelli, pp. 2–7.
MACCABE, Chris. (2012). A Little White Opening Out Of Thought. Poetry Review, 102(3).
MACDONALD, Travis. (2008). The O Mission Repo. Filadélfia: Fact Simile Books.
MACDONALD, Travis. (2009). A Brief History of Erasure Poetics. Jacket 2, 38.
MACDONALD, Travis, HOLMES, Janet, HARVEY, Matthea. (2011). “Free Verse: Erasure Poetry Festival”.
MALLARMÉ, Stéphane. (1914). Un coup de dés jamais n'abolira le hasard. Paris: La Nouvelle Revue Française.
MALLOCK, W.H. (1892). A Human Document. Londres: London Chapman & Hall. vol. 1 | vol. 2 | vol. 3
MANSON, Peter. (2006). English in Mallarmé. Ubu Editions.
MANSON, Peter. (2011). from “English in Mallarmé”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 395–396.
MELGARD, Holly. (2012). The Making of Americans. Troll Thread.
MORRISON, Yeda. (2012). Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902). Los Angeles: Make Now Press.
MORRISON, Yeda. (2012). from “Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902)”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Ed.). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 168–178.
NEIVA, Bruno. (2019). On Photography.
NYMAN, John. (2018). Double/Cross: Erasure in Theory and Poetry. Electronic Thesis and Dissertation Repository.
PHILIP, M. NourbeSe. (2008). Zong!. Toronto: The Mercury Press.
PHILLIPS, Emilia. (2016). Sap: An Erasure of Calvino’s Invisible Cities.
PHILLIPS, Tom. (2012). A Humument: A Treated Victorian Novel, 5ª Ed. Londres: Thames & Hudson.
PHILLIPS, Tom. (2015). Pages From A Humument. Flowers Gallery, Nova Iorque.
RATCLIFFE, Stephen. (1988). [where late the sweet] BIRDS SANG. Nova Iorque: O Books.
RAUSCHENBERG, Robert. (1953). Erased de Kooning Drawing. São Francisco, Colecção do SFMOMA.
RAY, Man. (1924, 2014). Untitled Poem. Gorse.
ROBERTS, Sarah. (2013). Erased de Kooning Drawing. SFMOMA, Rauschenberg Research Project.
ROSS, David A., HOPPS, Walter, GARRELS, Gary, SAMIS, Peter, (1999). Robert Rauschenberg, video interview transcript. SFMOMA.
RUBINSTEIN, Heather, RUBINSTEIN, Raphael (Org.). (2018, 2019). Under Erasure. Pierogi Gallery, Nova Iorque.
RUEFLE, Mary. (2006). A Little White Shadow. Seattle: Wave Books.
SMYTH, Adam. (2012). Double Act. London Review of Books, 34(19).
SMYTH, Adam, PARTINGTON, Gill. (2012). Tom Phillips: An Interview. London Review of Books.
TARANKSY, Michelle. (2011). UNIT J: ALTERED BOOKS / ERASURE, ENGL 010 Writing From The Outside, University of Pennsylvania, Filadélfia.
VARLEY-WINTER, Rebecca. (2015). The Bark of the Language Forest: Peter Manson’s ‘English in Mallarmé’. Glasgow Review of Books.
VILLINES, Melanie (Ed.). (2014). Bukowski Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
Wave Books. Erasures.
TEXTOS PRODUZIDOS PELOS FORMANDOS
A ARTE DE PERDER PARTES DE SI | Chalegre Villas Bôas
A CARTA | Márcia Santos
À LAIA DE ELEGIA | Rosário Costa
ABSURDO 111 | Marta Moreira
AMOR É FOGO QUE ARDE SEM SE VER | Fábio Oliveira
AULA | Pedro Eiras
BOCA. DE ONDE SAÍRAM O VERBO | Angela Sequeira
CASSANDRA | Gonçalo Sério Limpo
CAMINHO | Marcos Rodrigues
CAPITAL | Lídia Pereira
CENSURA VEGANA. UMA SEMANA DE JEUJUM. | Ludovica Daddi
COELHO BRANCO | Luz Marina Corazza
DALÍ: A RASURA DO PINTOR MODERNO | Vanessa Sousa
ENTRE TODAS AS PRESENÇAS, EU ESPEREI | Lídia Pereira
ERASURE | Gabriel Graça
ERASURE A PARTIR DE "HOMENS SÃO COMO LUGARES MAL SITUADOS", DE DANIEL FARIA | Cecília Monção
ECO | Teresa Freitas
ERASURE DE MIA COUTO | Maria Stella
DON'T KIL LOCKDEP | Ana Isabel Carvalho
HARNESSING THE POWER OF THE POETIC | Alexandra Marques
HERBERTO SINISTRADO (págs. 16, 17, 30, 31, 32, 33) | Gabriel Innocentini
INÉDITO: "UM INSTANTE" | Alexandra Marques
JE TE VEUX | Holga Méndez
LUZ / PONTE SUSPENSA | Inês Aparício
MAGNA CARTA | Egas Marçal
MAPPING HOROSCOPE | Gabriela Gomes
MEU NOME É GIORGIO | Maria Luiza S. Lemes
O MEDO VAI TER TUDO | Inês Aparício
O SONHAR, O ACORDAR | Mário C. Brum
PÁRA-ME DE | João Pinho
PEDRO E INÊS | Ana Silva
POEMA ANA | Ana Mota
PRIVACIDADE | Miguel Alves
QUEM SE METE EM ATALHOS, LIVRA-SE DE TRABALHOS + SELECIONA-ME | Alexandra Gonçalves
RASURA | Joana Alves
RASURA DO POEMA "SÚMULA DE HERBERTO HELDER | Liliana Teixeira
RAYUELA | Lídia Pereira
RECADO | Lídia Pereira
ROLAND BARTHES, O PRAZER DO TEXTO | Leonor Figueiredo
SAI POLICIES | Maria Brito
SUMÁRIOS | Ricardo Lafuente
THE HERMAN, BARTLEBY OF TALES (págs. 1, 2) | Ana Cancela
THE KILLING JOKE | Ricardo M. Vieira
THE RELIGIOUS EXPERIENCE | Soares Vieira
THE SMARTEST... | Jéssica Nardy
TRATAMENTO SEMI SÓBRIO | Teresa Botelho
TRECHO DE MEMÓRIAS PÓSTUMAS DE BRÁS CUBAS, DE MACHADO DE ASSIS | Isabela Oliveira
UMA FLOR PARA MEE | Betina Ruiz
UN LHOBO | Rita Moreira
VENENOS DO SÉC. XXI | Joana Lisboa
VIAGENS NA MINHA TERRA POR UMA ESTRADA COM BURACOS | João Cardona
WHAT DOES SILENCE MEAN? | Ágata Costa
WHEN LOVE DIES ALONE | Catarina Novais