DISCUSSÃO
Robert Rauschenberg: “Erased de Kooning Drawing”
Marcel Broodthaers: “Un coup de dés jamais n'abolira le hasard”
Derek Beaulieu: “Tattered Sails (after Mallarmé and Broodthaers)”
Derek Beaulieu: “Local Colour”
Ana Hatherly: “Anagramático. Livro IV – Metaleitura”
Tom Phillips: “A Humument: A Treated Victorian Novel”
Elizabeth S. Clark: “Between Words”
Derek Beaulieu: “@erasingwarhol” | “a: A novel”
Paul Hawkins: “BC”
Paul Hawkins: “DS”
Peter Manson: “English in Mallarmé”
Tom Jenks: “On Liberty, Repressed”
Jenni B. Baker: “Erasing Infinite”
PROCEDIMENTO
ERASURE
Seleccione um texto e elimine palavras, segundo um padrão, até obter o resultado pretendido. Cruze este procedimento com outros.
BIBLIOGRAFIA PRINCIPAL
BADANI, Pat, BENZON, Paul, SWEENEY, Sarah. (Ed.). Journal of the New Media Caucus, The Aesthetics of Erasure, 11 (1).
BAKER, Jenni B. (2014-2016). Erasing Infinite.
BEAULIEU, Derek. (2011). Local Colour. Editions Eclipse.
BEAULIEU, Derek. (2016). @erasingwarhol.
BEAULIEU, Derek. (2017). a: A novel. Paris: Jean Boîte Éditions.
BEAULIEU, Derek. (2018). Tattered Sails (after Mallarmé and Broodthaers). Ottawa: above/ground press.
BRENNAN, Mike. (2017). The Eloquence of Absence: Omission, Extraction and Invisibility in Contemporary Art. Modernedition.
BROODTHAERS, Marcel. (1969). Un coup de dés jamais n'abolira le hasard. Wide White Space Gallery, Antuérpia, Galerie Michael Werner, Colónia.
CLARK, Elizabeth S. (2007). Between Words. Ubu Editions.
DILLON, Brian (2006). The Revelation of Erasure. Tate Etc., 8.
FERREIRA, Margarida Lemos. (2017). Entre a ausência e a presença: o papel da rasura na transformação de significado. Tese de Mestrado, Arte Multimédia – Especialização em Audiovisuais. Universidade de Lisboa, Faculdade de Belas Artes.
HATHERLY, Ana. (2002). Anagramático. Livro IV – Metaleitura. Um calculador de improbabilidades. Coimbra: Quimera.
HAWKINS, Paul. (2016). BC. Hesterglock Press
HAWKINS, Paul. (2016). DS. Hesterglock Press.
HOLTZER, Jenny. (2007). Redaction Paintings. Nova Iorque: Cheim & Read.
JENKS, Tom. On Liberty, Repressed. (2014). Newton-le-Willows: Knives Forks and Spoons Press.
JENKS, Tom. On Liberty. (2016). Repressed: dragging and dropping John Stuart Mill. Glasfryn Project, Junction Box, 8.
KOSUTH, Joseph. (2012). Zero & Not. Freud, Wittgenstein and Musil. Nova Iorque: Leo Castelli, pp. 2-7.
MACDONALD, Travis. (2009). A Brief History of Erasure Poetics. Jacket 2, 38.
MANSON, Peter. (2006). English in Mallarmé. Ubu Editions.
PHILLIPS, Tom. (2012). A Humument: A Treated Victorian Novel, 5ª Ed. Londres: Thames & Hudson.
PHILLIPS, Tom. (2015). Pages From A Humument. Flowers Gallery, Nova Iorque.
RAUSCHENBERG, Robert. (1953). Erased de Kooning Drawing. São Francisco, Colecção do SFMOMA.
RAY, Man. (1924, 2014). Untitled Poem. Gorse.
ROBERTS, Sarah. (2013). Erased de Kooning Drawing. SFMOMA, Rauschenberg Research Project.
RUBINSTEIN, Heather, RUBINSTEIN, Raphael (Org.). (2018, 2019). Under Erasure. Pierogi Gallery, Nova Iorque.
BIBLIOGRAFIA COMPLEMENTAR
BAKER, Jenni B. (2015). California, Dollar Bills, Naked, Boun’. Flag + Void, 5.
BAKER, Jenni B. (2015). Erasures from Katherine Taylor Craig's ‘The Fabric of Dreams: Dream Lore and Dream Interpretation, Ancient and Modern’ (1918). Souvenir.
BAKER, Jenni B. (2015). Experiments. New Orleans Review.
BAKER, Jenni B. (2015). Privilege, Machine, face each other. Storm Cellar, 4.2.
BAKER, Jenni B. (2015). Three Erasures (from ‘NASA Air-to-Ground Voice Transcriptions’). Lunch Ticket.
BAKER, Jenni B. (2015). You-Boy, Kind, Tiny Town. The Account.
BAKER, Jenni B. (2016). Five Erasures from ‘Mastering Pac-Man’. Cartridge Lit.
BAKER, Jenni B., MCDARIS, Catfish, MOORE, James W., SO, Gerald (Ed.). (2013). NOIR: Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
BERVIN, Jen. (2004). from “Nets”. Conjunctions – Web Conjuntions.
BORSUK, Amaranth, JUUL, Jesper, MONTFORT, Nick. (2013). The Deletionist.
CLARK, Elizabeth S. (2011). from “Between Words”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 142-147.
Diagram. (2016). 16.5: Erasures.
FOER, Jonathan Safran. (2010). Tree of Codes. Londres: Visual Editions.
GALPIN, Richard. (1998). Erasure in Art: Destruction, Deconstruction, and Palimpsest.
GRANLUND, Chris. (1997). Robert Rauschenberg: Man at Work.
HICKMAN, Mary. (2014). Defaced/refaced books – The erasure practices of Jen Bervin and Mary Ruefle. Jacket 2.
JOHNSON, Ronald. (2005). “RADI OS”. 2ª Ed. Chicago: Flood Editions.
MACCABE, Chris. (2012). A Little White Opening Out Of Thought. Poetry Review, 102(3).
MACDONALD, Travis. (2008). The O Mission Repo. Filadélfia: Fact Simile Books.
MACDONALD, Travis, HOLMES, Janet, HARVEY, Matthea. (2011). “Free Verse: Erasure Poetry Festival”.
MALLARMÉ, Stéphane. (1914). “Un coup de dés jamais n'abolira le hasard”. Paris: La Nouvelle Revue Française.
MALLOCK, W.H. (1892). A Human Document. Londres: London Chapman & Hall. vol. 1 | vol. 2 | vol. 3
MANSON, Peter. (2011). from “English in Mallarmé”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 395-396.
MORRISON, Yeda. (2012). Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902). Los Angeles: Make Now Press.
MORRISON, Yeda. (2012). from “Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902)”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Ed.). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 168-178.
NEIVA, Bruno. (2016). Homenagem a Tom Phillips. Otoliths, 41.
NYMAN, John. (2018). Double/Cross: Erasure in Theory and Poetry. Electronic Thesis and Dissertation Repository.
PHILLIPS, Emilia. (2016). Sap: An Erasure of Calvino’s Invisible Cities.
RATCLIFFE, Stephen. (1988). [where late the sweet] BIRDS SANG. Nova Iorque: O Books.
ROSS, David A., HOPPS, Walter, GARRELS, Gary, SAMIS, Peter, (1999). Robert Rauschenberg, video interview transcript. SFMOMA.
RUEFLE, Mary. (2006). A Little White Shadow. Seattle: Wave Books.
SMYTH, Adam. (2012). Double Act. London Review of Books, 34(19).
SMYTH, Adam, PARTINGTON, Gill. (2012). Tom Phillips: An Interview. London Review of Books.
TARANKSY, Michelle. (2011). UNIT J: ALTERED BOOKS / ERASURE, ENGL 010 Writing From The Outside, University of Pennsylvania, Filadélfia.
VARLEY-WINTER, Rebecca. (2015). The Bark of the Language Forest: Peter Manson’s ‘English in Mallarmé’. Glasgow Review of Books.
VILLINES, Melanie (Ed.). (2014). Bukowski Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
Wave Books. Erasures.
Robert Rauschenberg: “Erased de Kooning Drawing”
Marcel Broodthaers: “Un coup de dés jamais n'abolira le hasard”
Derek Beaulieu: “Tattered Sails (after Mallarmé and Broodthaers)”
Derek Beaulieu: “Local Colour”
Ana Hatherly: “Anagramático. Livro IV – Metaleitura”
Tom Phillips: “A Humument: A Treated Victorian Novel”
Elizabeth S. Clark: “Between Words”
Derek Beaulieu: “@erasingwarhol” | “a: A novel”
Paul Hawkins: “BC”
Paul Hawkins: “DS”
Peter Manson: “English in Mallarmé”
Tom Jenks: “On Liberty, Repressed”
Jenni B. Baker: “Erasing Infinite”
PROCEDIMENTO
ERASURE
Seleccione um texto e elimine palavras, segundo um padrão, até obter o resultado pretendido. Cruze este procedimento com outros.
BIBLIOGRAFIA PRINCIPAL
BADANI, Pat, BENZON, Paul, SWEENEY, Sarah. (Ed.). Journal of the New Media Caucus, The Aesthetics of Erasure, 11 (1).
BAKER, Jenni B. (2014-2016). Erasing Infinite.
BEAULIEU, Derek. (2011). Local Colour. Editions Eclipse.
BEAULIEU, Derek. (2016). @erasingwarhol.
BEAULIEU, Derek. (2017). a: A novel. Paris: Jean Boîte Éditions.
BEAULIEU, Derek. (2018). Tattered Sails (after Mallarmé and Broodthaers). Ottawa: above/ground press.
BRENNAN, Mike. (2017). The Eloquence of Absence: Omission, Extraction and Invisibility in Contemporary Art. Modernedition.
BROODTHAERS, Marcel. (1969). Un coup de dés jamais n'abolira le hasard. Wide White Space Gallery, Antuérpia, Galerie Michael Werner, Colónia.
CLARK, Elizabeth S. (2007). Between Words. Ubu Editions.
DILLON, Brian (2006). The Revelation of Erasure. Tate Etc., 8.
FERREIRA, Margarida Lemos. (2017). Entre a ausência e a presença: o papel da rasura na transformação de significado. Tese de Mestrado, Arte Multimédia – Especialização em Audiovisuais. Universidade de Lisboa, Faculdade de Belas Artes.
HATHERLY, Ana. (2002). Anagramático. Livro IV – Metaleitura. Um calculador de improbabilidades. Coimbra: Quimera.
HAWKINS, Paul. (2016). BC. Hesterglock Press
HAWKINS, Paul. (2016). DS. Hesterglock Press.
HOLTZER, Jenny. (2007). Redaction Paintings. Nova Iorque: Cheim & Read.
JENKS, Tom. On Liberty, Repressed. (2014). Newton-le-Willows: Knives Forks and Spoons Press.
JENKS, Tom. On Liberty. (2016). Repressed: dragging and dropping John Stuart Mill. Glasfryn Project, Junction Box, 8.
KOSUTH, Joseph. (2012). Zero & Not. Freud, Wittgenstein and Musil. Nova Iorque: Leo Castelli, pp. 2-7.
MACDONALD, Travis. (2009). A Brief History of Erasure Poetics. Jacket 2, 38.
MANSON, Peter. (2006). English in Mallarmé. Ubu Editions.
PHILLIPS, Tom. (2012). A Humument: A Treated Victorian Novel, 5ª Ed. Londres: Thames & Hudson.
PHILLIPS, Tom. (2015). Pages From A Humument. Flowers Gallery, Nova Iorque.
RAUSCHENBERG, Robert. (1953). Erased de Kooning Drawing. São Francisco, Colecção do SFMOMA.
RAY, Man. (1924, 2014). Untitled Poem. Gorse.
ROBERTS, Sarah. (2013). Erased de Kooning Drawing. SFMOMA, Rauschenberg Research Project.
RUBINSTEIN, Heather, RUBINSTEIN, Raphael (Org.). (2018, 2019). Under Erasure. Pierogi Gallery, Nova Iorque.
BIBLIOGRAFIA COMPLEMENTAR
BAKER, Jenni B. (2015). California, Dollar Bills, Naked, Boun’. Flag + Void, 5.
BAKER, Jenni B. (2015). Erasures from Katherine Taylor Craig's ‘The Fabric of Dreams: Dream Lore and Dream Interpretation, Ancient and Modern’ (1918). Souvenir.
BAKER, Jenni B. (2015). Experiments. New Orleans Review.
BAKER, Jenni B. (2015). Privilege, Machine, face each other. Storm Cellar, 4.2.
BAKER, Jenni B. (2015). Three Erasures (from ‘NASA Air-to-Ground Voice Transcriptions’). Lunch Ticket.
BAKER, Jenni B. (2015). You-Boy, Kind, Tiny Town. The Account.
BAKER, Jenni B. (2016). Five Erasures from ‘Mastering Pac-Man’. Cartridge Lit.
BAKER, Jenni B., MCDARIS, Catfish, MOORE, James W., SO, Gerald (Ed.). (2013). NOIR: Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
BERVIN, Jen. (2004). from “Nets”. Conjunctions – Web Conjuntions.
BORSUK, Amaranth, JUUL, Jesper, MONTFORT, Nick. (2013). The Deletionist.
CLARK, Elizabeth S. (2011). from “Between Words”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 142-147.
Diagram. (2016). 16.5: Erasures.
FOER, Jonathan Safran. (2010). Tree of Codes. Londres: Visual Editions.
GALPIN, Richard. (1998). Erasure in Art: Destruction, Deconstruction, and Palimpsest.
GRANLUND, Chris. (1997). Robert Rauschenberg: Man at Work.
HICKMAN, Mary. (2014). Defaced/refaced books – The erasure practices of Jen Bervin and Mary Ruefle. Jacket 2.
JOHNSON, Ronald. (2005). “RADI OS”. 2ª Ed. Chicago: Flood Editions.
MACCABE, Chris. (2012). A Little White Opening Out Of Thought. Poetry Review, 102(3).
MACDONALD, Travis. (2008). The O Mission Repo. Filadélfia: Fact Simile Books.
MACDONALD, Travis, HOLMES, Janet, HARVEY, Matthea. (2011). “Free Verse: Erasure Poetry Festival”.
MALLARMÉ, Stéphane. (1914). “Un coup de dés jamais n'abolira le hasard”. Paris: La Nouvelle Revue Française.
MALLOCK, W.H. (1892). A Human Document. Londres: London Chapman & Hall. vol. 1 | vol. 2 | vol. 3
MANSON, Peter. (2011). from “English in Mallarmé”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 395-396.
MORRISON, Yeda. (2012). Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902). Los Angeles: Make Now Press.
MORRISON, Yeda. (2012). from “Darkness, All That/The Remains (a biocentric reading of Joseph Conrad’s ‘Heart Of Darkness’, 1902)”. BERGVALL, Caroline, BROWNE, Laynie, CARMODY, Teresa, PLACE, Vanessa (Ed.). I’ll Drown My Book: Conceptual Writing By Women. Los Angeles: Les Figues Press, pp. 168-178.
NEIVA, Bruno. (2016). Homenagem a Tom Phillips. Otoliths, 41.
NYMAN, John. (2018). Double/Cross: Erasure in Theory and Poetry. Electronic Thesis and Dissertation Repository.
PHILLIPS, Emilia. (2016). Sap: An Erasure of Calvino’s Invisible Cities.
RATCLIFFE, Stephen. (1988). [where late the sweet] BIRDS SANG. Nova Iorque: O Books.
ROSS, David A., HOPPS, Walter, GARRELS, Gary, SAMIS, Peter, (1999). Robert Rauschenberg, video interview transcript. SFMOMA.
RUEFLE, Mary. (2006). A Little White Shadow. Seattle: Wave Books.
SMYTH, Adam. (2012). Double Act. London Review of Books, 34(19).
SMYTH, Adam, PARTINGTON, Gill. (2012). Tom Phillips: An Interview. London Review of Books.
TARANKSY, Michelle. (2011). UNIT J: ALTERED BOOKS / ERASURE, ENGL 010 Writing From The Outside, University of Pennsylvania, Filadélfia.
VARLEY-WINTER, Rebecca. (2015). The Bark of the Language Forest: Peter Manson’s ‘English in Mallarmé’. Glasgow Review of Books.
VILLINES, Melanie (Ed.). (2014). Bukowski Erasure Poetry Anthology. Los Angeles: Silver Birch Press.
Wave Books. Erasures.