DISCUSSÃO
William S. Burroughs: “The Cut-up Method of Brion Gysin”
Brion Gysin: “Cut-ups Self-Explained”
Brion Gysin: “Minutes to Go”
Brion Gysin e William S. Burroughs: “First Cut-Ups”
PROCEDIMENTOS
CUT-UP (1)
Seleccione um texto e divida-o em cruz em quatro partes iguais. Reordene-as, transcreva-as e edite-as. Repita o procedimento as vezes que forem necessárias.
FOLD-IN
Seleccione vários textos e imprima-os. Dobre-os a meio e reorganize as metades, formando novas secções. Transcreva-as e edite-as.
CUT-UP (2): INTERSECÇÃO
Siga as instruções do procedimento Cut-Up (1) e adicione material retirado de vários media. Forme novas secções, transcreva-as e edite-as.
BIBLIOGRAFIA PRINCIPAL
BURROUGHS, William S., GYSIN, Brion. (1978). The Cut-Up Method of Brion Gysin. Cut-Ups Self-Explained. Minutes to Go. First Cut-Ups. The Third Mind. Nova Iorque: The Viking Press, pp. 29-43, 52-60.
BURROUGHS, William S. (1961). The Soft Machine. Paris: Olympia Press.
BURROUGHS, William S. (1962). The Ticket That Exploded. Paris: Olympia Press.
BURROUGHS, William S. (1964). Nova Express. Nova Iorque: Grove Press.
BURROUGHS, William S. (1965). Time. Nova Iorque: C Press.
WEISS, William. (2013). Riding the Nova Express. RealityStudio.
BIBLIOGRAFIA COMPLEMENTAR
ARDOIN, Paul. (2015). Versions, Cut Ups, and Bladerunners: Critique and Revision in Nourse and Burroughs, Critique. Studies in Contemporary Fiction, 56:1, pp. 108-120.
BALCH, Antony, BURROUGHS, William S. (1963-1972). The Cut-Up Films.
BIRMINGHAM, Jed. (2015). #23: The Dead Star. RealityStudio.
BIRMINGHAM, Jed. (2006, 2008). Time. RealityStudio.
BURROUGHS, William S. (1963). Towers Open Fire Screenplay. Film, 37.
BURROUGHS, William S. (1964-65). Real English Tea Made Here.
BURROUGHS, William S. (1969). The Dead Star. São Francisco: Nova Broadcast Series.
BURROUGHS, William S. (2011). from “Nova Express”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 123, 124.
BURROUGHS, William S., BEILES, Sinclair, GYSIN, Brion, CORSO, Gregory. (1960). Minutes to Go. Paris: Two Cities Editions.
CRAN, Rona. (2013). ‘Everything is permitted’: William Burroughs’ Cut-up Novels and European Art. Comparative American Studies An International Journal, 11:3, 300-313.
DIÓGENES, Paulo César Rodrigues. (2012). Sobre Máquinas de Escrita e Remistura: o Método Cut-Up de William Burroughs. Línguas e Letras: Estudos de Linguagem e Cultura. 13 (25), pp. 343-370.
HARRIS, Oliver. (2005). ’Burroughs Is a Poet Too, Really’: The Poetics of Minutes to Go. The Edinburgh Review, 144.
LAND, Christopher. (2005). Apomorphine Silence: Cutting-up Burroughs’ Theory of Language and Control. Ephemera, 5(3).
LANE, Véronique. (2013). The Parting of Burroughs and Kerouac: The French Backstory to the First Beat Novel, from Rimbaud to Poetic Realist Cinema. Comparative American Studies An International Journal, 11:3, pp. 265-279.
Language is a Virus. (2001). Cut Up Machine.
MCLUHAN, Marshall. (1964). Notes on Burroughs. RealityStudio.
ROBINSON, Ed. (2007). Taking the Power Back: William S. Burroughs’ use of the cut-up as a means of challenging social orders and power structures. Quest, 4.
ROBINSON, Thom. (2016). Rub Out the Past: Nostalgia and the Cut-Up Works of William S. Burroughs. Comparative American Studies An International Journal, 14:2, 109-125.
TEEUWEN, Dave. (2009). The Soft Machines. RealityStudio.
WEIDNER, Chad. (2013). Mutable Forms: The Proto-ecology of William Burroughs’ Early Cut-ups. Comparative American Studies An International Journal, 11:3, 314-326.
William S. Burroughs: “The Cut-up Method of Brion Gysin”
Brion Gysin: “Cut-ups Self-Explained”
Brion Gysin: “Minutes to Go”
Brion Gysin e William S. Burroughs: “First Cut-Ups”
PROCEDIMENTOS
CUT-UP (1)
Seleccione um texto e divida-o em cruz em quatro partes iguais. Reordene-as, transcreva-as e edite-as. Repita o procedimento as vezes que forem necessárias.
FOLD-IN
Seleccione vários textos e imprima-os. Dobre-os a meio e reorganize as metades, formando novas secções. Transcreva-as e edite-as.
CUT-UP (2): INTERSECÇÃO
Siga as instruções do procedimento Cut-Up (1) e adicione material retirado de vários media. Forme novas secções, transcreva-as e edite-as.
BIBLIOGRAFIA PRINCIPAL
BURROUGHS, William S., GYSIN, Brion. (1978). The Cut-Up Method of Brion Gysin. Cut-Ups Self-Explained. Minutes to Go. First Cut-Ups. The Third Mind. Nova Iorque: The Viking Press, pp. 29-43, 52-60.
BURROUGHS, William S. (1961). The Soft Machine. Paris: Olympia Press.
BURROUGHS, William S. (1962). The Ticket That Exploded. Paris: Olympia Press.
BURROUGHS, William S. (1964). Nova Express. Nova Iorque: Grove Press.
BURROUGHS, William S. (1965). Time. Nova Iorque: C Press.
WEISS, William. (2013). Riding the Nova Express. RealityStudio.
BIBLIOGRAFIA COMPLEMENTAR
ARDOIN, Paul. (2015). Versions, Cut Ups, and Bladerunners: Critique and Revision in Nourse and Burroughs, Critique. Studies in Contemporary Fiction, 56:1, pp. 108-120.
BALCH, Antony, BURROUGHS, William S. (1963-1972). The Cut-Up Films.
BIRMINGHAM, Jed. (2015). #23: The Dead Star. RealityStudio.
BIRMINGHAM, Jed. (2006, 2008). Time. RealityStudio.
BURROUGHS, William S. (1963). Towers Open Fire Screenplay. Film, 37.
BURROUGHS, William S. (1964-65). Real English Tea Made Here.
BURROUGHS, William S. (1969). The Dead Star. São Francisco: Nova Broadcast Series.
BURROUGHS, William S. (2011). from “Nova Express”. DWORKIN, Craig Douglas, GOLDSMITH, Kenneth. (Ed.). Against Expression, An Anthology of Conceptual Writing. Evanston: Northwestern University Press, pp. 123, 124.
BURROUGHS, William S., BEILES, Sinclair, GYSIN, Brion, CORSO, Gregory. (1960). Minutes to Go. Paris: Two Cities Editions.
CRAN, Rona. (2013). ‘Everything is permitted’: William Burroughs’ Cut-up Novels and European Art. Comparative American Studies An International Journal, 11:3, 300-313.
DIÓGENES, Paulo César Rodrigues. (2012). Sobre Máquinas de Escrita e Remistura: o Método Cut-Up de William Burroughs. Línguas e Letras: Estudos de Linguagem e Cultura. 13 (25), pp. 343-370.
HARRIS, Oliver. (2005). ’Burroughs Is a Poet Too, Really’: The Poetics of Minutes to Go. The Edinburgh Review, 144.
LAND, Christopher. (2005). Apomorphine Silence: Cutting-up Burroughs’ Theory of Language and Control. Ephemera, 5(3).
LANE, Véronique. (2013). The Parting of Burroughs and Kerouac: The French Backstory to the First Beat Novel, from Rimbaud to Poetic Realist Cinema. Comparative American Studies An International Journal, 11:3, pp. 265-279.
Language is a Virus. (2001). Cut Up Machine.
MCLUHAN, Marshall. (1964). Notes on Burroughs. RealityStudio.
ROBINSON, Ed. (2007). Taking the Power Back: William S. Burroughs’ use of the cut-up as a means of challenging social orders and power structures. Quest, 4.
ROBINSON, Thom. (2016). Rub Out the Past: Nostalgia and the Cut-Up Works of William S. Burroughs. Comparative American Studies An International Journal, 14:2, 109-125.
TEEUWEN, Dave. (2009). The Soft Machines. RealityStudio.
WEIDNER, Chad. (2013). Mutable Forms: The Proto-ecology of William Burroughs’ Early Cut-ups. Comparative American Studies An International Journal, 11:3, 314-326.